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LETTERSPublished on November 08, 1995Mark Her Words Joe Levy Feature Attractions Both of the features--Steve Jackson's "Battle Cry," about the protests outside the Planned Parenthood clinic, and Alan Prendergast's "The Brico Requiem," on the life and times of Antonia Brico--were excellent examples of the journalistic craft and true pleasures to read. S.T. Harmon On the Street Where They Live Name withheld on request And if there is a God, may she forgive us for our ignorance. Thank you for Steve Jackson's well-written and informative article. They are a public nuisance to private- and rental-property owners who pay their taxes; our sidewalks' public right-of-way is obstructed by these loudmouthed thugs; signs asking cars to honk their horns raise the noise level, which is already high because of the protesters shouting abuse to anyone close by; and the thugs bring their children to protest, too, contributing to the children's delinquency. Who is supporting these thugs, and why? The mention of Lincoln in the article about the anti-abortion demonstrators reminds me of a riddle attributed to Lincoln. Let's say there are four horses and one jackass crossing a stream. Now, if I call that jackass a horse, how many horses are crossing the stream? "Five," the feller says. However, if you are truly convinced that what that woman carries is identical to born life, it follows that the doctor is killing life. And yes, it follows that if a mass murderer is loose and no law can stop him, you are justified in killing him. Nonviolence won't help in the situation. Even Gandhi, eminently practical, would concede that killing the mass murderer was the lesser evil. The women involved, interestingly enough, are not considered accessories to the murders. They are considered ignorant, brainwashed creatures, and if they don't solicit your counsel, why, you must scream it at them in your peculiar ways. Felix Singer Conduct Becoming In the Eighties Brico was the guest conductor at a concert of the Mostly Strauss Orchestra, a bonding group of metropolitan musicians who enjoyed playing together at the symphonic level. At the end of the last selection there was enthusiastic applause, and as she was walking off the stage I shouted "Bravo!" She turned slightly, as if in response to my impulsive cheer. The look in her compelling black eyes--The Gaze--was riveting. I can easily imagine that she "imprinted" indelibly on a legion of piano students. Prendergast's fine biographical sketch has helped personalize the life and concert career of our legendary Antonia Brico.
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