By Joel Warner
By Michael Roberts
By Alan Prendergast
By Michael Roberts
By Michael Roberts
By Amber Taufen
By Patricia Calhoun
By William Breathes
Pathologist Robert Greer has spent more than twenty years researching the mysteries of cancer at the University of Colorado Health Sciences Center. But it was during trips to his favorite restaurant, Dozens, to escape the hustle and bustle of the hospital, that he stumbled onto a mystery of a different sort.
Staring out a window toward the colorful, crumbling Victorian row houses a few blocks away on Delaware Street, Greer recalls, "I always sit here and look out at the 'bail bondsman's row,' so I said, 'You know, I wonder what those guys do?'"
So Greer did some research and conjured up CJ Floyd, the cheroot-smoking black bail bondsman in The Devil's Hatband, a new mystery novel that takes place in the mountains and around Denver, in locations such as Five Points and Delaware Street.
Although this is Greer's first novel, it's not his first foray into writing. Already an experienced short-story writer, Greer also edits the quarterly High Plains Literary Review, which he founded in 1986 out of his offices in Cherry Creek.
"There are no special secrets, no bigger brain, no special genes," he says, his voice friendly and precise, with a slight Western drawl. "I'm just very disciplined and methodical in the way I approach things. I try not to waste any time. I work all the time, but my work is enjoyment."
More enjoyable, no doubt, thanks to his novel's early success. The Devil's Hatband already sold out its initial printing run of 8,500 copies, and Greer has a contract to write two more CJ Floyd novels. And, to boot, he recently set off on a two-month promotional tour through Los Angeles, San Francisco, Houston, Chicago, Washington, D.C., and New York. But his tour will have to compete with another commitment: Greer plans to spend five weeks in Boston trying to identify a genetic marker that can accurately predict the likelihood of a person developing cancer.
Cancer is one of the few things that links Greer's two worlds. The novel's medical McGuffin--a virus that can cause cancer in animals and people--was one that Greer actually researched in the early Eighties. "When I was writing the novel," he says, "I had to decide whether to put the truth in there or not, because if I described how you could really make this, someone might be deranged enough to use it." Ultimately, Greer chose to fictionalize the virus, and for the most part he keeps the worlds of medicine and fiction separate.
"I tend not to be thinking about one when I'm doing the other," he explains. "I don't think that somebody lying on the operating table worried about whether they have cancer of the larynx wants me thinking about CJ Floyd. But when I'm thinking about him, I don't want to be thinking about someone's life."
While the couple lives alone in Cherry Creek, the common theme of Greer's short stories and novel is the dynamic of the black working class--a reflection of his Gary roots. "I don't write about rich people with psychological problems," he says. "That doesn't interest me. I want to show that working-class people do struggle, they struggle hard, they can overcome, they have the same hopes and aspirations as people who may be more affluent than them."
At the same time, Greer says he has no "delusions" about writing fiction for a purpose higher than entertainment: "I'm not writing fiction to solve a social problem, I'm not writing fiction to answer the meaning of life, and I'm not writing it with some great intellectual debate in mind."
What's unusual is how different the fictional bail bondsman is from the pathologist who created him. Floyd is a 45-year-old divorced Vietnam vet struggling to make ends meet; Greer is a very successful, happily married doctor and writer. CJ drives a '57 Chevy Bel Air, Greer a coffee-colored Chevy Tahoe. And while one has spent years researching neck and throat cancer, the other smokes cheroots like his life depended on it.
"He is a smoker," Greer says with a shrug. "I tried not to make a perfect character. He probably drinks a little too much, smokes too much, gambles a little bit. Maybe he can grow in additional novels."
CJ grows in his debut, as well. Greer takes him "into a larger culture and makes him have to go out and interact with people in the West. He's outside of his culture dealing with those people."
But while CJ is out of his element once the mystery leads him into the Colorado high country and the culture of white ranchers, Greer doesn't seem to be a fish out of water anywhere. "Mine is the typical world any black person who's a professional has to work in," Greer says. "Mine is, you have to straddle two worlds. That's much more difficult for CJ to do than it is for me to do, because I've spent such a long time having to hone the skills that allow me to walk in both those worlds. He's never had to hone those skills."