By Isa Jones
By Mary Willson
By Brian Turk
By Drew AIles
By Taylor Boylston
By Bree Davies
By Emerald O'Brien
"The Denver of today is a lot different from the Denver I used to know," argues Leaper, an Englishman who lived in Colorado for fourteen years (the last nine in Denver). "It used to have this kind of cool quirkiness in the middle of nowhere. You still had the feel of an old Western town, and I loved that. But now you've got all these Californians moving in, and downtown is starting to feel like Cherry Creek. There's nothing but sports bars down there, and the traffic is awful; you can't get anywhere without spending at least twenty minutes in the car. It started to remind me of Los Angeles.
"For a while, we were able to ignore a lot of that. We had been living in a dream world, because we were renting this old duplex in the Golden Triangle area that was pretty cheap. But then we got a call that the company that owned the property had sold it to some other company that was going to scrape the building off the old lot. So we started looking for another place to live, and we couldn't believe how expensive it all was. Everything had gone up a couple hundred dollars a month--even in Capitol Hill. I mean, they're building condos there--can you believe it? The whole thing really just bummed us out, so we started thinking about moving to Portland. We'd been here a couple of times, and it's a really beautiful place. So we just decided, let's move."
The other two members of the Minders--bassist/vocalist Mark Wilhite and guitarist/vocalist Jeff Almond--are featured prominently in press materials and photographs generated by spinART in conjunction with Tuesday's bow, but Leaper reveals that they're no longer in the band. (He declines to detail the reasons for the split beyond noting that "things had gotten a little stale.") As a result, Portland-based guitarist Andrew Kaffer and bassist Aaron Weinzapfel, who plays in the Denver group Terminal Hinge, will be assisting Leaper and Cole during a junket that kicks off in San Francisco on October 20 and includes a showcase at the CMJ convention in New York City on November 4. But because Weinzapfel isn't yet sure if he wants to move to Portland, Leaper says, "he's not really a full-fledged part of the band. He's going to play with us for this tour, but after that, we don't know what will happen. Maybe he'll move here, or maybe we'll add somewhere from here, or maybe we'll just have revolving members. A lot of our friends have bands that work that way."
That's an understatement. The Minders are part of the Elephant 6 collective, which includes the Apples, Olivia Tremor Control, Neutral Milk Hotel and numerous other pop acts whose members float from one ensemble to another. As a result, some Elephant 6 efforts include contributions from so many people that it's often difficult to tell who's actually in the band. That's not the case with Hooray for Tuesday, though. Trombonist Rick Benjamin and flutist/alto saxophonist Merisa Bissinger from the Perry Weissman 3 make contributions, and producer Robert Schneider, the core of the Apples, also plays on virtually every track. Nonetheless, the CD remains very much a Minders effort. "Robert and I worked on it for five or six months," Leaper says, "but the basics were all put down by me on a four-track. Then we transferred it to eight tracks and piled more things on."
Leaper displays an almost pathological reluctance to praise his own work. When asked to describe the album, he says, "It's short." He's right about that: Its twelve songs clock in at just under 28 minutes. But in this span, the Minders manufacture enough hooks to stock the Pocket Fisherman factory for the next decade. The music is frankly Beatle-esque, and so is Leaper's singing; he's Paul and John all rolled into one. But Schneider's lo-fi production is consistently clever and engaging, and the arrangements are full of wonderful touches--like, for instance, the title cut's brass arrangement, the background vocals on "Pauline" and "I've Been Wondering," and the gleeful psychedelia at the heart of "Frida." Just as important, the songs are catchy as all get-out, even though they're not as simple as they seem. "More and More" is an odd combination of melodic fragments, but these segments are knitted together into a brief sugar rush that will leave most listeners buzzing.