By Courtney Harrell
By Kyra Scrimgeour
By Jena Ardell
By Mary Willson
By Bree Davies
By Tom Murphy
By Tom Murphy
By A.H. Goldstein
"The band, by all appearances, at least from what people tell me, is vastly influential, but I have no paycheck to show for it," says former Camper Van Beethoven bassist Victor Krummenacher. "Not one."
Welcome to the world of cult rock. In the mid-1980s, Camper was perhaps the most "important" college-rock band in the days before alternative music had a name; at that point, Hsker D was near a breakup and the Replacements were ceasing to be relevant. Camper Van Beethoven topped critics' polls, released records on its own Pitch-a-Tent label, and toured with a then-potent role model for young bands, R.E.M. But a less-than-amicable split in 1990 forced the Campers into separate corners. Frontman David Lowery left northern California for Richmond, Virginia, to form Cracker. Krummenacher, with original violinist Jonathan Segel, pursued various local projects, with a lesser degree of financial success.
But in December 1999, Krummenacher and Segel joined Lowery in Richmond to complete tracks for a forthcoming archival release, Camper Van Beethoven Is Dead Long Live Camper Van Beethoven, available soon through Pitch-a-Tent and its Web site. The initial call came from Lowery, who asked Krummenacher and Segel if they would be interested in selling the material released on the pair's own label, Magnetic, through Pitch-a-Tent so that the Camper catalogue, offshoots, and related projects could be available on one easy-to-navigate site. (In the long term, the band hopes to regain the rights to its own recorded material, some of which is still in the hands of EMI, Camper's last distributor.) And as Lowery was simultaneously readying a two-disc compilation of Cracker hits, rarities and new material, titled Garage D'or, for forthcoming release, he realized he needed a band to take the show on the road.
"Cracker has done these sort of Rolling Blunder Revues with Joan Osborne and Adam Duritz," explains Lowery from his studio. "We play some of their songs, they play one of our songs, they do one of our songs, they do a duet. So we thought, 'Why don't we do it again with Victor and Jonathan?' It's basically a Cracker show. I would not call it a Camper reunion -- we all sort of shrink back from that."
Call it what you will, but Krummenacher will fill in on bass with Lowery's band, Segel will add a song or two, and Krummenacher and Segel will open the shows with their old guitarist Greg Lisher, whom they describe as the reclusive Syd Barrett of Camper. The whole crew will also join Lowery and his band to play a few songs from the Camper songbook.
"We had a party the night before we were going to put all that stuff together [for the new record] here at the studio, and somehow a rumor got started that me, Victor, and Jonathan were going to play a reunion," says Lowery. "The thing was, we weren't planning to play, and the party was ultimately shut down by the police and fire departments. But we'd been in the basement rehearsing songs, thinking we could prevent a riot. We started talking about it."
Time, explains Krummenacher, is the other great facilitator for a new beginning, or what therapists might describe as an opportunity for closure to a bad ending. "I certainly take responsibility for the fact that my walking probably made the band break up," says Krummenacher, who decamped in the middle of a European tour in 1990.
"So you're responsible for Cracker!" says Segel. Conspiratorial sniggers aside, Krummenacher and Segel say they're fans of Lowery's work, in particular Cracker's 1996 album The Golden Age, which they call "brilliant." They like what they've heard of the new material, too, which harks back a bit to the orchestral and experimental days of Camper's denouement; in fact, they know of one Camper song that's resurfaced for the new Cracker recordings.
"One of the things I like about Camper is that the legacy is so muddled and completely confusing," says Krummenacher. "People say things like, 'I saw you in 1992 when I was a senior in high school,' and I tell them we broke up in 1990. Or they say, 'I saw the Monks of Doom -- that was David Lowery's band after Camper broke up,'" referring to Krummenacher's jazz/experimental/prog-rock band which claimed Krummenacher, Campers Greg Lisher and Chris Pedersen and sideman David Immergluck as members. "Nobody knows the history unless they're intimately tied to us, and even then it's completely confusing, because we're all such motherfuckers, we all have completely different ideas about what actually occurred," says Krummenacher. "I'm kind of at a point where I think that's fine."
"Lineage," "legacy" and "family" are words that crop up repeatedly when the former Campers address the band's history. Like the Grateful Dead (to whom they were sometimes compared for their folk-based melodies smershed with dripping psychedelia; both bands' fans favored the twirling dance), the group has a mixed-up family tree. Krummenacher and Lowery began making music together around Riverside and Redlands, California, in the summer of 1983 at Lowery's parents' house. Lowery had been in a band called Box of Laffs with his boyhood pals Pedersen and Chris Molla, who would join Camper when the group relocated to Santa Cruz and picked up Lisher and Segel.