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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Riverfront Times
Babe 'n' Arms
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
By Nicholas Phillips
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
Best community-theater production
Of Mice and Men
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Published on June 29, 2000
The committee that awarded the 1962 Nobel Prize for literature cited John Steinbeck for his "sympathetic humor and sociological perception." While the Morrison Theatre Company's "Of Mice and Men" didn't always glisten with professional luster, director Alan Osburn nonetheless evoked Steinbeck's paean to companionship by encouraging portrayals that were as down-to-earth as a Frederic Remington painting. Thanks to the symbiotic bond that developed between Michael Wilson's George and Rick Bernstein's Lennie, the company's plainspoken ode to friendship resonated with two-fisted -- and quintessentially American -- candor.
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