By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
The works of two installation artists are displayed together in the unusual Fabrication and Fiction, running through November 29 at the Colorado Gallery of the Arts at Arapahoe Community College in Littleton.
In half of the gallery, ACC faculty member Mari Blacker has created various vignettes contrasting materials such as paper, fabric and metal. At times, she’s used these materials in ways contrary to their natures: In one place, there’s a pair of steel pants not far from a cloth iron, in another part of the show, paper dress-making patterns are paired with metal ones. On the side wall is a witty piece made from a length of painted blue metal chicken wire hanging from a pair of knitting needles. It looks like real fisherman’s lace made from rope.
It’s unclear whether Blacker’s pieces are meant to work as a single installation with various parts, (which they don’t), or whether the different parts are wholly separate works only somewhat related to one another.
Compellingly, the other artist in this show, New Mexico’s Charmaine Brown, does exactly the opposite. She has assembled a number of separate pieces, all on the same theme, that may be taken together as a single statement, yet also stand as individual pieces. The various works are mostly made of satiny cloth in blue, black and white. There are several large wall hangings that transform the gallery into what seems to be a secret ceremonial chamber room, complete with candelabra and ritual vestments like "Coat of Arms" (above).
Brown's subject matter is disability, and all of her pieces here are from her "Disabled Fable" series, which is set in some imaginary fairy-tale past. The international disability symbol of a stick figure in a wheelchair done in white on a blue field is a motif seen throughout her work, including its repeated appearance on "Coat of Arms." Brown also uses crutches, walkers and other such equipment as art materials, as well as ready-made objects such as stuffed birds and rubber rats. The atmosphere she creates is creepy and disturbing, despite the witty and humorous content of many of her elements. She has written that she wants to use her work to break down the barriers of misunderstanding that separate the disabled from the rest of us. She doesn’t reveal in her written statement whether or not she has a disability herself, however, and I think that’s relevant given the irreverence of her work.