By Susan Froyd
By Byron Graham
By Robin Edwards
By Bree Davies
By Josiah M. Hesse
By Bree Davies
By Susan Froyd
By Kate Gibbons
For the next five days, Richard Lewis will seldom leave his North Dallas hotel room, hidden away at the far end of the top floor with a view of overpasses, office buildings and distant dark clouds. He will venture out only to visit a couple of radio and television stations, to plug his four-night stand at the Improv, and make the short trip to the club every night. But those rare sojourns aside, he will hole up with room service and his laptop, poring over hours' worth of stand-up material stored with such titles as "Mid-Life Crisis" and "Recovery." Lewis spends eight hours a day perusing the material, hoping to recall 10 to 15 minutes' worth of new stuff by the time he takes to the stage he stalks like a twitchy, trendy mental patient clad entirely in black--his clothes andhis mood. "I have categories of six dysfunctions," Lewis says, "and each one has God-knows-how-many hours of material in it." He is proud of this.
Occasionally, Lewis will need to take a break from staring at his own dysfunctions and addictions to bury himself in the phobias and pain of others--writer Richard Yates, for instance, whose new collection of short stories Lewis keeps beside him. "He's very dark, an alcoholic," he says of the dead author, whose writings are thick with gloom. Or maybe Lewis will pop into his portable CD player a disc by the late confessional folkie Tim Hardin, who wrote so viscerally of his anguish you could taste blood and tears on every track. "Heartbreaking shit." The comedian offers his highest praise.
By the way, Richard Lewis swearshe's never been happier.
For some three decades, the 53-year-old comic has gotten laughs by disclosing his sexual dysfunctions, his lonely childhood, his life in therapy and, most recently, his alcoholism and near-fatal cocaine overdose a few years back. Late last year, he even published a book about his boozing and subsequent recovery: The Other Great Depression: How I'm Overcoming on a Daily Basis at Least a Million Addictions and Dysfunctions and Finding a Spiritual (Sometimes) Life. Less a memoir than a series of essays, the book reads like his stand-up act: scattered, hyperbolic, melodramatic, anything for a laugh that catches in your throat. It begins with Lewis drowning out his parents' "horrifying noise" with a Mets-Dodgers game in 1962; he then flashes forward 33 years, as he's being rolled down a hospital corridor after a coke OD. An intern is asking him, "Why are you doing this?" Lewis looks up. At the time, he thought he was trying to kill himself. So did his friends.
"I think it was obvious to a lot of people, because I heard them talking about it," says Larry David, co-creator of Seinfeldand, most recently, the HBO series Curb Your Enthusiasm, on which Richard Lewis appears regularly as Richard Lewis, best friend of Larry David. The two attended the same summer camp when they were 13, then became friends again on the comedy-club circuit in 1974; David cast Lewis because he's one of those friends "you can yell at and still remain friends."
The two didn't see much of each other through the '80s and '90s: David was working on Seinfeld, got married, had kids; Lewis remained single and lived some 40 minutes away--light years in Los Angeles. But David knew something was wrong with his old pal. "They said, 'He has a real problem, did you see what he did at this particular party?' There was some concern...Now that he's sober, I don't notice much of a change at all. Except he's not drinking. He's as funny now as he was then."
Lewis long ago crossed the line separating "entertainment and narcissism," as he likes to say. There exists little barrier between performer and paying crowd: To the audience that has felt his pain since 1974, when he made his first appearance on The Tonight Show, he's the best friend you never hear from, except when he comes bearing bad news. To the audience that has seen him sitting beside David Letterman some 50-plus times since 1982, he's the therapy patient who charges admission to his sessions. Spend a couple of hours alone with him, and it doesn't take long to realize he's not doing stand-up. He's doing lie-down.
"I have absolutely no need to write anything that doesn't help me understand why I am feeling the way I do when I wake up," he says. "As narcissistic as that sounds, I don't know if that really is. To pull it off and enlighten someone or have someone feel less alone, then it's not so much narcissistic as it is a talent, I dunno. The only reason I'm saying that out loud is it's odd to be always trying to figure out what makes you tick--literally."
Lewis, even out of the two-drink minimum spotlight, wears grays and blacks, and he looks slightly older in the flesh than he does sitting beside a talk-show host; his face, peppered with gray stubble, is gaunt. When he speaks to an audience of one, he still puts his hand to his forehead so often you'd think he was trying to staunch the bleeding. What you see onstage is but a slightly exaggerated version of the man sitting in this Marriott room. "I like guys who are twisted, who are the same onstage as they are offstage," he explains. "I like guys who are that way--honest."
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