By Courtney Harrell
By Kyra Scrimgeour
By Jena Ardell
By Mary Willson
By Bree Davies
By Tom Murphy
By Tom Murphy
By A.H. Goldstein
KG: I predict there will be lots of extended space jams and Hacky Sack shit. Lots of Ultimate Frisbee players.
JB: Sounds like a pretty stony crowd, at least. Would you say that Denver is hungry for the D?
WW: think they are. I saw you play at CMJ last year, and that crowd was definitely hungry for it. You guys had one of the biggest buzzes of anyone who played.
JB: Well, it wasn't all for us. At the Drive In was on that bill, too. But come to think of it, they broke up soon after that. Holy shit. I think we fucking broke them up. They saw what it was like to have to follow the D, and they immediately broke up.
KG:We were the big buzz at SXSW last year, too. But after our show, some critic wrote this review where he said, "So, that was it?" I had some extra time the next day, so I called him. Set him straight. He was a prick. It's like, "Despite the fact that every person in the room seemed to be having a good time, the band was a bore."
JB: You can't sweat it, dude.
KG: I know. And it's like, well, there were so many artists that people loved, and the critics were always telling the public that it was wrong. That they actually sucked, despite their enjoyment. Look at Neil Diamond.
WW: What is with you guys and Neil Diamond? Half of your record was produced at his studio in Los Angeles. And you, Jack, were recently on V-H1 talking about how much you admired him.
JB: Well, Tenacious D? That's what the D stands for. Well, not really. I think I'm the son he wishes he had. I guess his actual son is kind of a drag. But I'll tell you, if you intend to get to the bottom of my connection to Neil Diamond, you will get no further.
WW: Well, would you say the D is influenced by him?
KG: I think we are more influenced by the classics. And the Beatles. Who were, of course, contemporaries of Neil's.
JB: We might be more inclined to say that we were influenced by Barry Manilow.
KG: Who is a notorious pot smoker, and we can relate to that.
JB: Dude. Barry Manilow is not a fucking pot smoker. How can you even say this? Reveal your source!
KG: One of my friends used to be his driver. He said that every day when he'd drop Barry off or something, he'd check the ashtray and, sure enough, there would be fatties and all sorts of roaches and joints in there.
JB: Dude, that's because his passengers were blazing up. Not Manilow, dude. You fucking fuck.
KG: It makes sense if you think about it. Like, the "Copacabana"? Tell me that is not the work of a stoned man.
WW: What are you guys traveling in? Do you have a big tour bus?
JB: Dude, did you hear the insinuation in that? She totally wants to rock with us on the bus. (Approximates an imitation of Westword's voice.) "Do you have a big tour bus?" You are so transparent, lady!
KG: We do have a huge bus. And be sure you print that.
JB: We've requested the Don Henley model. It is state of the art. Which is good in case I have to take a donkey crap on the bus. Although I got some tips from Page from Phish. He said there are rules of the road, and rule number one is that you never, never crap on the bus. You have to make the driver pull over. It's a rule known to everyone who travels the road. I bet you Neil Young would not crap on his bus. But I have a feeling that Kyle is going to have a big problem with that one. I think he should have his own van, and he should have to drive it.
WW:What are the other rules?
JB: There will be no cigarette smoking, because I have to protect my instrument. But there will be weed smoking, because this is rock and roll. And ladies. There will be plenty of fuckin' sexy ladies in the huzz-ouse.
WW: I think there's a perception out there that you guys are a joke band. Like Spinal Tap.
KG: Well, that really takes the pressure off having to play well.
JB: To me, that sounds like someone just needing to find a little compartment to stuff us in. Like, they always have to find a little box for everything when they don't understand it. They've got to give us a name and call us a joke band. Well, fuck them. I guess the joke is on them when they come to the show and find their fucking ass is blown out.
WW: Do you ever witness that transformation -- like, the crowd expects to laugh, but then they're just...rocking?
JB: All the time, my dear, all the time. It gets so intense sometimes, it actually scares me. I didn't used to understand that. I once read a quote from Eddie Vedder where he said that sometimes his voice gets so intense that he frightens himself. And at the time, I thought that was really fucking funny.