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Recent Articles
Recent Articles by Andy Klein
Matthew Barney's Cremaster cycle concludes with outrageousness and unfamiliarity.
Keanu Reeves and the Wachowski brothers deliver a fresh helping of May tricks.
A murky screen adaptation shortchanges Stephen King's Dreamcatcher.
Jungle fever fails to catch hold in this routine sequel.
Polanski returns to Poland.
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National Features >
Houston Press
A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.
By Rich Connelly
City Pages
Today Denver, tomorrow the Twin Cities.
By Matt Snyders and Bradley Campbell
The Pitch
A country musician rescues Waylon Jennings' tour bus from the scrap heap.
By C.J. Janovy
Village Voice
The provocateur who brought you "Piss Christ" pinches off a new concept.
By Lynn Yaeger
Going Perm
Continued from page 1
Published on October 25, 2001
While it is not nearly as satisfying overall as Mike Judge's Office Space, the preeminent cubicle comedy of recent years, Haiku Tunnel eventually overcomes the limitations of Kornbluth's manner. Whether or not the film is purely autobiographical, he clearly knows the terrain. Anyone who has ever worked in a business office will recognize such types as the severe head secretary (Helen Shumaker) and the invariably counterproductive computer-system administrator (Joshua Raoul Brody). The introduction of a presumably doomed love affair with a "summer associate" (Sarah Overman), essentially an exploited law student, is a welcome plot complication to the final third. By the end, as the inspiring conclusion to Stravinsky's Firebird builds on the soundtrack, we're gratified that both Josh the character and Josh the filmmaker have finally triumphed.