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Graham Slams

New-wave pioneer Graham Parker is still squeezing out the sparks.

Graham Parker cuts deeply on a new album inspired by his youth in East London.
Graham Parker cuts deeply on a new album inspired by his youth in East London.

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With the Figgs
9 p.m. Wednesday, January 16,, $27
303-320-9200
Lion's Lair, 2022 East Colfax Avenue

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This opinion was reaffirmed after Parker recently got an opportunity to relive his days near the top of the heap. He was driving to a gig in Baltimore "when the phone rings and my agent says, 'Can you get to the arena as soon as possible? U2 needs somebody to open for them, because the singer in Garbage is sick. That's the opening act, and he's too sick to play.'" (Parker and his agent obviously aren't Garbage aficionados; the combo's singer, Shirley Manson, is female.) In response, Parker raced to the city, meeting his backing band, the Figgs, at the venue approximately thirty minutes prior to show time. "But we got there," Parker says, "and when we walked on stage and hit the first chord, I thought, "This is the way music should sound.' It sounded incredible, and the audience loved it. We went down great. We killed." After the set, though, Parker and the Figgs still had to play the club date -- and the next night, they wound up at a joint "with a stage the size of the desk I'm leaning on. There's nothing good about clubs. Let's be honest: To play an arena is awesome."

Upon being informed that the club where he's scheduled to perform in Denver has one of those desk-sized stages, Parker says, "I know -- and I can't wait. Really. In fact, make sure you say that what I was just talking about was said with the laughing intent that's there -- a sort of tragicomic intent." He cackles before adding, "Don't let anyone think I was angry."

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