By Brian Turk
By Drew AIles
By Taylor Boylston
By Bree Davies
By Emerald O'Brien
By Gina Tron
By Jon Solomon
"I grew up in Oklahoma in the '70s and '80s," says Kent Phillips, Thank God for Astronauts' singer/guitarist and primary songwriter. "I was the middle-class white boy who got turned on to rap. My dad was like, 'Huh -- that kind of reminds me of Funkadelic,' so he gave me one of his old Funkadelic records. After that, I just started picking his brain about music."
"I grew up in Kansas," counters bassist Steve Jones, "and the only bands that came through in the '80s were the metal bands. All I ever saw was arena rock. I had a guitar, but all I could play was a Scorpions tune and a Mötley Crüe tune."
In a parallel dimension, Thank God for Astronauts could have been Linkin Park. Sadly, though, Jones's heavy-metal chocolate and Phillips's hip-hop peanut butter were never meant to collide. They both moved to Denver around the turn of the '90s, but by the time the two met in 1998 on the runs of Berthoud Pass, their aesthetic sensibilities had already been corrupted.
"I met Steve snowboarding. He was blasting Polvo out of his car," Phillips remembers, speaking of North Carolina's semi-legendary art-core combo. "You usually hear people jamming Phish or the Grateful Dead up there, you know? So we rode together, and we found out we had similar tastes in music: the Buzzcocks, the Who, the Beatles, the Only Ones, Nick Lowe, the Soft Boys. All this old-school Brit pop and punk. We just kind of got into it from there."
"Getting into it" entailed the formation of Kudzu Towers, a short-lived group that served as a low-flying prototype for Thank God for Astronauts. The upgrade was made in 2001 with the recruitment of drummer Bryan Feuchtinger and guitarist Alisdair Rich; ever since then, the foursome has helped fill the gap left by the defection of the Apples in Stereo to the blue hills of Kentucky last year. While not quite as accomplished or blatantly retro as the Apples, TGFA's static-laced indie rock is transmitted on much the same bandwidth.
"Ken and I would go see the Apples and Dressy Bessy all the time," says Steve. "We thought, 'Shit, these are such fun songs. Why can't we do this?'"
Phillips had begun writing music in high school, but it took him nearly ten years to work up the nerve to actually front an honest-to-God rock group. "Before Kudzu Towers, I had never been in a band where there was real rehearsal and stuff. I just kind of learned on my own, and I was really conscious about not wanting to put something together until I thought it was decent and worth people's time," he says. "I always felt a little weird about writing songs and bringing them to people and saying, 'Here are the songs. This is how you play them.'"
But bring the songs Phillips did, and he and Jones began the long countdown to the blastoff of Thank God For Astronauts. Using the Kinks and Guided by Voices as rocket fuel, the two began writing and practicing songs, honing their sound while slowly acclimating to a group environment. Or, as Jones puts it, "We'd go down in the basement and get liquored up and play for hours."
"Ken was jamming one day, and he told me he needed a bass player," says Jones. "I didn't really know how to play bass, but I went out and bought a cheap bass and a cheap amp anyway. I was terrible, but I stuck with it. I mean, I'm still terrible, but I enjoy it. I still don't know the notes on the bass, though, and sometimes Ken has to be like, 'Put your finger there, dude.'"
Rich respectfully disagrees. "He's a better bass player than that," he says. "Steve's all over that thing!"
A native of Scotland, Rich enlisted in Thank God for Astronauts after nearly a decade away from the guitar. "I first came to the States in 1980, when I was eighteen," he says. "In those days, it was really hip to be from the U.K., so people would immediately hand me guitars. I was playing shows before I ever really knew how to play." After crisscrossing the Atlantic a few more times, Rich wound up in Denver, where he began working with Phillips at a video production company putting Czech subtitles on bad Canadian films from the '70s. When Kudzu Towers dissolved in 2001, he volunteered for the TGFA mission. "I hadn't played guitar in about ten years when I joined the band," he explains. "I had been messing around with synths and samplers and that kind of stuff, so it was really good to actually play in a band again."