Members of the Wishing Well find their inner musicians.

Donald Rossa thought the six adults crowded around a small table at Dazzle Restaurant and Lounge looked a little out of place. Unlike most of the patrons in his chic Lincoln Street club, they weren't drinking, and they weren't talking too much. Mostly, they were staring intently at the jazz quartet performing on the stage.

"It looked like they were on a field trip," Rossa says. "They'd come in a few times before, and they always had a reservation. I recognized something about them right away. Nobody was misbehaving, but they were kind of shuffling their feet and chain-smoking or whatever. Some of the staff members were a little taken aback, but I went right up and introduced myself."

Who he met was a table full of aspiring musicians, burgeoning jazz fans and members of the Wishing Well Clubhouse, an adult day center operated by Mental Health Corporation of Denver, a private health-care agency contracted by the State of Colorado to provide services throughout metro Denver. Outfitted with computer labs and a library stuffed with donated books, the club is primarily designed to help clients in the MHCD system build job skills and further their education. But it's also a social hub -- not fancy like Dazzle, but buzzing with activities from yoga classes to impromptu lectures on world history.

Jam session: Steve Utash leads the Wishing Well 
band through the high notes.
Brett Amole
Jam session: Steve Utash leads the Wishing Well band through the high notes.

The group members who visit Rossa's club are bound by their various mental illnesses, everything from schizophrenia and bipolar disorder to manic depression and attention deficit disorder -- but also by an appreciation for music. Rossa -- whose mother was diagnosed with manic depression and bipolar disorder twenty years ago -- treats them like VIPs when they show up each month.

"We give them food, the bandmembers will come over and talk to them, and they love it," he says. "I just wanted to help them socialize and show them that they're part of our community and they're welcome in my club. We all live and breathe the same air, and we're all here for music."

Earlier this year, Wishing Well vocational counselor Scott Utash began the monthly outings to Dazzle -- for dinner, coffee and Cokes, and jazz -- as a way to supplement the music program he'd founded. Right now it's just a loose Friday-afternoon jam session in the Clubhouse, a run-down but friendly red-brick space near Denver Health, but Utash has bigger plans: He envisions expanding to encompass regular live performances, a weekly cabaret-style showcase and maybe even appearances in bars, clubs and music venues around the city.

"The Friday jam session literally started with me teaching a couple of notes using only my harmonica," Utash says. "In the last couple of months, it's moved from a couple of people sitting around to a full-fledged rehearsal, with a core of musicians who are committed to showing up and playing every week."

The jams take place right around the corner from the cafeteria, where Wishing Well members prepare meals for each other and for staff; around another corner is the Munch Brunch, a member-run store that sells everything from chewy candy mix to hazelnut coffee for 25 cents. Magic Marker paintings, God's Eye yarn sculptures and photos of Martin Luther King Jr. line the walls and the hallways. Curious clients and caseworkers stroll by, sit in, listen for a little while. Usually, Billy and Sally lead on guitar and piano, respectively, while Lisa and Kris handle the higher female vocal parts. Ricky plays spoons and Utash blows harmonica. Charlie, a forty-something charmer with a fringe of brown hair crowning an otherwise shiny head, is one of the more confident singers.

"I like singing with the group because it's very sociable," he says. "Most of us had never spoken to each other before we started doing this. You meet a whole variety of people. It cuts through the loneliness, and it can get rid of some of the depression."

The group is eclectic, and so is its catalogue. They play everything from "On Top of Old Smoky" to "The House of the Rising Sun," which they sometimes fashion with their own words. ("There is a club in old Denver/They call the Wishing Well/And it's been the savior of many young men/But just don't raise any hell.") A lifelong fan of classic-rock radio, Billy has recently introduced the group to the Stones' "Wild Horses" and Bob Seeger's "Still the Same."

"I'm a folk junkie, so I like to play the old stuff," says Kris, a tall, salty-haired woman in her sixties who as a young woman sang in church choirs and played piano and alto sax. "We all kind of go around and take turns picking songs."

"There's one song we do that I hate, but I sing it anyway," says Charlie, adding that he finds the offending song, "Kumbaya," more tolerable now.

Like many members of the group, Charlie has some formal musical training: He sang in choirs as a youth and took singing lessons years ago while enrolled at the University of Colorado at Boulder. For Sally, the Wishing Well jam marks her return to music after a 35-year break.

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