Head to the land Down Under at today's screening of In Search of the Tasmanian Devil, with John Nelson, shown as part of the Macky Auditorium Travel Film Series. "Tasmania is a place that a lot of people don't go to when they visit Australia, but it's a very unusual and beautiful island," explains Nelson. "This is a travel-adventure film, but I tried to keep it lighthearted and humorous."
In Search of the Tasmanian Devil details the 88-kilometer bush walk that Nelson and his wife, Renee, made across the island last year. The couple backpacked from the seaside city of Launceston through Cradle Mountain National Park, a designated World Heritage site, in search of the black carnivorous marsupials. "Tasmanian devils are extremely difficult to find in their natural state because they're nocturnal," says Nelson.
Scientifically known as Sarcophilus harrisii, Tasmanian devils usually grow to be only about the size of a small dog, but the elusive creatures are known for being extremely vicious. "Pound for pound, they have the most powerful jaws of any animal," says Nelson, "and they can be very ferocious, which is why the early settlers gave them the nickname Tasmanian devil. Obviously, it stuck."
Nelson's eighty-minute film will screen at 3 p.m. in Macky Auditorium on the University of Colorado's Boulder campus. The final two flicks in the travel series are Israel Today, which will be shown on February 21 and narrated by filmmaker Fran Reidelberger, and Mike Shiley's Amazing Thailand, which will screen on April 10.
"It's a pretty informal setting, where filmmakers come here in person to narrate their films," says Kristin Anderson, director of the auditorium and coordinator of the series. "I think that In Search of the Tasmanian Devilis going to appeal to a lot of people because it's a different type of film for us. I just hope people are not expecting to see Looney Tunes."
One thing about the defunct Iron Curtain: It was effective. Our looks behind it were rare, and as denizens of the so-called free world, Americans could only guess what life was really like in the Soviet Union. Yet throughout his long career, which spanned much of the twentieth century, Dimitri Baltermants was able to photograph the Soviet milieu on every level: As a photojournalist, he recorded wartime suffering and post-war working-class life, and as an official photographer for the Kremlin, he documented the loftier world of Communist Party movers and shakers. His vast portfolio, which includes portraits of Soviet leaders from Stalin to Gorbachev, mostly escaped the international eye until the '60s, due to hard-line party censorship. But Baltermants served as photo editor for the popular newsmagazine Ogonyok from 1945 until his death, in 1990, and he was posthumously "rediscovered" with a 1992 retrospective at the International Center for Photography in New York. Here in Colorado, glasnosthas finally arrived: Dimitri Baltermants: Images of the Soviet Union, a stunning exhibit from both historical and photographic perspectives, opens today in Fort Collins at Colorado State University's Hatton Gallery, with a reception from 7 to 9 p.m. In addition, Alison Smith, assistant professor of Russian and Soviet history, will provide a historical viewpoint of the imagery at a gallery talk at noon on February 4. The show continues through March 5 at the gallery, in the Visual Arts Building on the CSU campus; for information, call 1-970-491-6774. -- Susan Froyd
The Sound of Money FRI, 1/23
How do you solve a problem like Maria? If she's wearing a cape and flipping off the audience, you let her be. She's just part of the fun of Sing-A-Long Sound of Music, the interactive experience that brings together fans of the Julie Andrews shlockfest to parade in insane costumes, hoot at the evil Nazis and, of course, sing along to all of the Rodgers and Hammerstein songs that made this musical a Broadway bash and then a big Hollywood hit. The Sing-A-Long concept debuted in London a few years ago, became a cult classic and made its way to Denver last year, where the final show drew 1,200 people. Now it's back, with Thom Wise once again playing the master -- or would that be mistress? -- of ceremonies, dressed as a very superior mother. "I won't be letting just any ol' nuns on stage," Wise says, "so try and stretch your creativity with regard to costumes. The best ones were the more obscure ones -- like the lady who illustrated 'When you sing, you begin with A, B, C' and the woman who came covered with postcards of Salzburg, including a pic of her with Julie Andrews. We all got on our knees and worshiped her."
Worship services begin at 7 p.m. tonight at the Paramount Theatre, with a second one at 7 p.m. tomorrow and a final matinee at 2 p.m. Sunday. Reserved seats are $21; admission is $15 for seniors and children under twelve. Tickets are available at all Ticketmaster outlets, at 303-830-TIXS or at www.hob.com. -- Patricia Calhoun