By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Over A Billion Served. The main winter exhibit at Denver's Museum of Contemporary Art is by Julie Segraves, executive director of Denver's Asian Art Coordinating Council, who brought together photos by eleven important conceptual artists now working in China. Conceptual photography is new in China, but so is photography itself, with the widespread availability of cameras dating back only to the 1980s. Segraves has divided the show into three parts: "Strangers in the Cities," which examines the effect of social change on the Chinese people; "Power Politics," which looks at the effect of the Chinese Communist Party; and "The McDonaldization of China," which is self-explanatory. This exhibit is absolutely awesome, and the photos in it are so unusual and so good that they will leave a lasting impression on anyone who sees them. Through May 9 at Denver's Museum of Contemporary Art, 1275 19th Street, 303-298-7554. Reviewed February 19.
Pard Morrison and James Westwater. Unlike the past few seasons, this year has seen only a few emerging artists who've broken onto the city's art scene. The work of one of the best of this handful of young newcomers is currently being showcased in Pard Morrison: Recent Sculpture and Paintings at the Rule Gallery. Morrison's aesthetic fits the mood here perfectly because his work is inspired by minimalism, the style of choice for Rule. His sculptures, some of which are wall-mounted, are made of aluminum patinated in beautiful, dusty colors. Formally, they are very stark, but the severity is offset by the softness and unevenness of the patinated surfaces, which are very painterly. In the informal Viewing Room in the back is a second, smaller show titled James Westwater: Narrative Works, in which the New Mexico-based artist continues his intellectualized exploration of an archetypal lozenge shape. Westwater uses this shape as a graffiti-like mark that he paints onto ready-made imagery of various kinds. Both shows run through March 20 at Rule Gallery, 111 Broadway, 303-777-9473. Reviewed March 11.
True Gritand /i>Louise Bourgeois. There are two significant shows at the Metro State Center for the Visual Arts, both of which explore the topic of women in the arts. The first is a traveling exhibit, True Grit: Seven Visionaries Before Feminism, which examines the work of a group of modernists who gained prominence in the 1950s and '60s. The seven artists, all of whom are world-famous, are Louise Nevelson, Jay DeFeo, Lee Bonticou, Nancy Grossman, Claire Falkenstein, Nancy Spero and Louise Bourgeois. Though all launched their careers before the rise of feminism, the movement has been very good for their ever-growing reputations; if their names are familiar today, it's because feminists in the art world have championed their work for decades. The second show is Louise Bourgeois: Selections From the Collection of Ginny Williams, a Bourgeois solo organized by CVA director Kathy Andrews. Denver collector Williams has one of the largest Bourgeois collections anywhere, and this is a rare opportunity to see some of it. Through April 24 at the Center for the Visual Arts, 1723 Wazee Street, 303-294-5207.
Vance Kirkland. This year marks the 100th anniversary of the late Vance Kirkland's birth. In honor of the centennial, the Colorado History Museum has mounted a salute to the legendary Colorado artist with the epic title of Vance Kirkland: A Colorado Painter's Life, Early Works and Beyond. Though there are some remarkable early Kirklands in the show, notably a full-sized pencil sketch for a WPA-era mural, the exhibit includes lots more than that. First, there is the work of nearly twenty of Kirkland's friends and colleagues -- among the modern artists in the state from the mid-twentieth century -- and even some contemporary art. Second, interspersed throughout is a design show surveying furniture, pottery and other decorative arts from 1900 to the 1960s. This over-the-top approach can only mean one thing: Hugh Grant, director of the Kirkland Museum, orchestrated it. Through April 4 at the Colorado History Museum, 1300 Broadway, 303-866-3682. Reviewed December 25.