By Drew AIles
By Taylor Boylston
By Bree Davies
By Emerald O'Brien
By Gina Tron
By Jon Solomon
By Drew Ailes
The group recently holed up in the studio and is poised to release a disc of its diversely influenced material in early spring. Bouncing between psychedelia, funk, blues, jazz and reggae, its guitar-driven sound is tight, even when venturing on flights of improvisational fancy.
"We're trying to keep it sort of old-school," Wood says. "Just musicians. No DJs. No tracks. Just an organic setup that allows us to stretch out, but also something that's danceable and that's boogieable. We're looking to create that mix that entertains people but also entertains us. And we try to appeal to people of all ages, whether they're fifteen or fifty."
Wood says he enjoys playing for erudite listeners. He says he often receives positive feedback along with a few kernels of insight, whether he's laying down tunes by Billy Preston, Stevie Wonder or one of his own compositions."I love it when people know their stuff and have a broad knowledge of musical history," he enthuses. "That's the kind of crowd I like to play for." Between Soul Brother Number One and Harmonious Junk, Wood is well positioned to stay in front of the musically well informed, though he takes nothing for granted.
"The JB lineup has been stable for a while, but I'm the last person to have gotten in, so that keeps me on my toes," he says. "I like playing for Brown, but I take advantage of my off time to work on Harmonious Junk. It's nice to come home and get in my own band."