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Abstractions on Paper. The current show at the city's coziest little art shop, the Emil Nelson Gallery, is a fascinating group endeavor put together by director Hugo Anderson. The exhibit combines historic and contemporary works in the form of watercolors, prints, drawings and photos by more than two dozen artists -- making it a very big presentation, considering how small the gallery is. The mood is classic modernist, with some very choice items by major artists, including Elaine de Kooning, Stanley Hayter, Mauricio Lasansky and, of course, Herbert Bayer, a gallery favorite. Though the late Bayer, who was an Aspen resident, has been included in shows here before, the watercolors in this one are being publicly exhibited for the first time. One of them, an abstraction based on nature from the 1940s, has a decidedly Colorado look, having been done soon after Bayer moved here. Among the regional contemporary artists in the show are Lanse Kleaveland, Sarah Vaeth and Irene Watts. Like the historic artists, these current practitioners have embraced classic abstraction. Through June 26 at the Emil Nelson Gallery, 1307 Bannock Street, 303-534-0996. Reviewed May 6.

Full Frontal: Contemporary Asian Art From the Logan Collection. The normal stock in trade for the Denver Art Museum's Asian-art curator, Ron Otsuka, is traditional styles, but he's been drafted into doing contemporary duty by a gift that includes more than a score of pieces by Asian and Asian-American artists. The recently acquired booty provided Otsuka with the opportunity to explore new Asian art in Full Frontal: Contemporary Asian Art From the Logan Collection, now on display in the William Sharpless Jackson Jr. Gallery on the museum's fifth floor. Most of the standouts are neo-pop, such as Yu Youhan's "Mao Decorated," which is based not on the famous traditional portrait, but on Warhol's version. The frontrunner in the current generation of Chinese artists, Zhang Huan, is not a pop artist, however, but a conceptualist; he's represented by a photo that documents a performance in which he coated his body with ground hot dogs and then had actual dogs lick it off him. The show may be small, but it's bold. Through May 23 at the Denver Art Museum, 100 West 14th Avenue Parkway, 1-888-903-0278. Reviewed December 11, 2003.

Jules Olitski: Half a Life's Work. The Singer Gallery at the Mizel Center for Arts and Culture is presenting an important show, Jules Olitski: Half a Life's Work: Selected Paintings 1972-2002. Guest-curator William Biety, director of the Sandy Carson Gallery, organized the exhibit and was able to get the paintings straight from the artist. Born in Russia in 1922, Olitski gained fame in the 1950s and '60s with ultra-hip color-field paintings created by staining and spraying canvases. The Singer show picks up the story in the '70s, when Olitski was moving away from stains and toward thick, heavy coats of paint mounded up in peaks of impasto. These paintings were often carried out in iridescent pigments developed especially for him. In the '90s, Olitski made the radical -- for a non-objective artist like him -- shift to landscape painting, but for the past couple of years, he has returned to his roots with poured and stained paintings. Through June 2 at the Singer Gallery, 350 South Dahlia Street, 303-399-2660. Reviewed May 6

The Migrant Project: Contemporary California Farm Workers. California-based photographer Rick Nahmias was researching fEdward R. Murrow when he came upon Harvest of Shame, a 1960s documentary about farm workers. The Murrow film inspired Nahmias to revisit the topic, and the results are the dozens of wonderful photos that make up The Migrant Project at the Museo de las Américas. This traveling exhibit has been supplemented by a small salute to activist Cesar Chavez, a champion of farm-worker rights. The Chavez display is the perfect set-up for The Migrant Project, which highlights farm workers' struggles using black-and-white photos. Nahmias's approach is to capture the picturesque quality of rural life while also raising such issues as low wages and overcrowded living conditions. Through June 12 at the Museo de las Américas, 861 Santa Fe Drive, 303-571-4401. Reviewed April 29.

North American Sculpture Exhibition. The selections for this year's North American Sculpture Exhibition at Foothills Art Center in Golden, were made by celebrity artist James Surls, who gained fame in Texas but now lives in Colorado. For the always-important though invariably quirky show, Surls put together an oddball display dominated by figural sculptures; some of them are pretty uninspired and doctrinaire examples of neo-traditionalism, but others are convincingly contemporary. However, it's undeniable that Surls was very conservative in his picks. Artists in the show hail from around the country, but, as in the past, the single biggest group is from Colorado -- though there are fewer locals than ever and even fewer who are well known. Among the area artists who got their work through the aesthetic obstacle course set up by Surls are Patricia Aaron, Alicia Bailey, Marie E.v.B. Gibbons, Bonnie Ferrill Roman, Maureen K. Scott, Jan Steinhauser and Sumi Von Dassow. Among the many artists from elsewhere are Tyler Meadows Davis from Utah, Lazar Christian Fonkin from British Columbia and Jonathan W. Hils from Oklahoma. Through June 6 at the Foothills Art Center, 809 15th Street, Golden, 303-279-3922.

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