Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

John Hines and Colin Stranahan Quintet

John Hines In the Pocket (Capri)
Colin Stranahan Quintet Dreams Untold (Capri)

Share

  • rss

Michael Roberts

Published on May 27, 2004

Tom Burns is a music lover, not an attention seeker. For years, he's quietly been issuing jazz discs from his Bailey headquarters on a pair of imprints, Capri and Tapestry. The recordings vary in quality and adventurousness from release to release, but as In the Pocket and Dreams Untold demonstrate, they're made with love and offer an important and increasingly rare opportunity for local players to press their visions into plastic.

Trombonist John Hines scores a songwriting credit on just two of Pocket's nine tracks, with the others drawn from tunesmiths such as Duke Ellington and John Coltrane. Nonetheless, he and his comrades, including keyboardist Michael Pagan, drummer Rob Ward, bassist Mike Williams and gifted trumpeter/flugelhornist Hugh Ragin, come up with an intriguing arrangement for the Rodgers & Hart standard "I Could Write a Book" and wring poignancy from "More Than a Friend," a Pagan composition. Dreams, for its part, marks the impressive debut of drummer Stranahan, a student at the Denver School of the Arts who cut the disc at age seventeen. Able assistance is provided by the likes of tenor saxophonist Michael Bailey and bassist Ken Walker, with a couple of cameos from trumpeter Ron Miles. But Stranahan makes his presence felt, swinging mightily on self-penned ditties such as the energetic "Now I'm Up" and "Romaine's Groove," dedicated to longtime local Paul Romaine.

Hines and Stranahan both deserve to be heard. Kudos to Burns for giving them the chance.