By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Beltrami was born in Rhode Island in 1949; he moved to Colorado in 1972 after dropping out of college, then lived in Boulder, Leadville and Aspen before settling in Denver. In the '80s, his life was rocked by the AIDS crisis, particularly the death of his friend, Michael Ryan. In 1993, Beltrami was officially declared disabled, his symptoms having met the Center for Disease Control's definition of AIDS. He became an activist, helped found ACT-UP Colorado and belonged to Direct Action. All the while, Beltrami kept creating art.
Wayne Alan Lee, Beltrami's partner, curated the memorial, installing a re-creation of Beltrami's bedroom wall to provide a glimpse of the artist's "life and character." There's a bookcase, a toy box filled with dolls, framed snapshots, and pieces by fellow Edge members, including Ken Peterson and Susan Goldstein.
The rest of this part of the show is made up of Beltrami's work, predominated by his sand paintings. Considering that he used a limited palette and straight lines, it's amazing how widely varied in style they are. Many recall rugs, either American Indian or Oriental, like "Circa 1849" (above), while others look neo-classical, art deco or even op art.
In the center space, Sara-Lou Klein McKlayer has organized the group salute inspired by another kind of Beltrami work, his bird's nests. McKlayer sent out invitations, which included a feather, to about sixty artists. Among those who participated are Mary Cay, Mark Brasuell, Jerry Simpson, Sue Simon, Gail Wagner, Tim Flynn, Reed Weimer and Zoa Ace.
Edge's birds of a feather closes on June 13, and then the Beltrami pieces will be distributed among his friends and fellow co-op members.