By Joel Warner
By Michael Roberts
By Alan Prendergast
By Michael Roberts
By Michael Roberts
By Amber Taufen
By Patricia Calhoun
By William Breathes
"The hippies with their drug-fried synapses and political lobotomies give the town the distinctive tone that we locals have a phrase to describe," writes on-again-off-again local Stephen Coonts in his travel memoir The Cannibal Queen. "When you see something really screwy or kinky, you say how 'very Boulder' that is."
And when the Boulder Public Library announced last week that it was accepting nominations for its first "One Book, One Boulder" program, it offered up some very Boulder requirements. First, nominated books can't be more than 350 pages and must be printed in other languages as well as English. Preference will be given to "living authors who are engaging, informative public speakers." That effectively rules out the iconic Howl, written by late Naropa University poet Allen Ginsberg, as well as anything by that other Colorado icon, Hunter S. Thompson, since he's engaging but essentially incoherent at this point.
"We need a book that has a couple of strong themes that will provoke good discussion," explains Boulder Library special-programs coordinator Carol Heepke. "It really is a great way to bring together corners of the community that don't normally come together."
The BPL has received a dozen nominations so far, the most popular being Kent Haruf's Plainsong, which was edged out of the recent "One Book, One Denver" program by Leif Enger's Peace Like a River. Haruf's very much alive, and Plainsong's a lovely read set in Colorado, in the fictitious plains town of Holt, but the book deals with issues that are completely outside the typical Boulderite's realm of experience. Poverty and meat, for starters. "Of course, it was just recently on television, and that helps," Heepke says of the Hallmark Hall of Fame production of Plainsong that aired in April. "A film or movie also makes the whole thing more accessible to someone who won't sit down and read a book but could at least see it and then talk about the themes."
She points to Chicago's experience with Harper Lee's To Kill a Mockingbirdas evidence of how One Book events can transcend the literary set. The Windy City screened the movie and then had several high-powered lawyers re-enact Mockingbird's famous courtroom scene. "We're also looking for some ways to have unique programming," Heepke says. "We're hoping to find some things to involve the arts community, or maybe the lawyers, or maybe the police."
Well, then, could there be a better book for Boulder than Lawrence Schiller's Perfect Murder, Perfect Town: The Uncensored Story of the JonBenet Murder and the Grand Jury's Search for the Final Truth? It takes care of both lawyers and cops, catches newcomers up on the town's history, and offers numerous themes for discussion.
"[In 1972] CU students voted en masse, and Alex Hunter's percentages from the campus precincts were enormous," Schiller writes. "That same year, liberals who advocated controlling the growth of Boulder and protecting the environment won a number of local races and formed a new establishment. Boulder had survived the transient hippies and the antiwar movement and was coming into its own. The city elected a black mayor and issued its first same-sex marriage license. Soon some would call it the People's Republic of Boulder."
Those last words echo in several books. Local author Lynn Erickson's thriller On Thin Ice, for example: "Ellie had a love-hate relationship with the town. It had been called Disneyland, Colorado. It had been dubbed Eden and Utopia. Residents joked it was the People's Republic of Boulder." And Erickson's just one of several mystery writers who've called Boulder home. Stephen White sets most of his novels there. When he isn't suing the University of Colorado for violation of Title IX, attorney Baine Kerr writes books, too.
The University of Colorado's leader has quite a literary background herself -- even though her specialty involves very dead authors. In a deposition given earlier this month in connection with one of those Title IX suits, CU president Betsy Hoffman was asked about the word "cunt," which had been used by members of the football team when Katie Hnida was a kicker with the Buffs. First noting that cunt is usually seen as a swear word, Hoffman, a medieval scholar, said she had also "heard it used as a term of endearment."
Choosing Geoffrey Chaucer's The Canterbury Talesfor "One Book, One Boulder" could finally get the entire town on the same page about what really happened with the football team's recruiting program, and could also instruct future players on the proper use of the C-word that rhymes with punt. Beware the tome's translation, however: Most versions of The Canterbury Taleshave replaced cunt with puss, queint or quim, as in, "He made a grab and caught her by the quim."
Boulder could also grab Sam Kashner by the balls and embrace his book When I Was Cool. Kashner's coming-of-age tale (emerging theme!) includes all of the essential elements that define Boulder -- hippies, drugs and Jack Kerouac -- plus compelling writing that would draw people typically turned off by Ivory Tower book clubs.
"These are letters from camp," he writes. "Beat camp. My counselors happened to be former Beats. Allen Ginsberg taught me swimming and Swinburne; William Burroughs took us deep into the forest and then told us which of us was probably an alien; Gregory Corso taught us how to sing -- the camp song was an aria from Pagliacci and his philosophy was strictly jail yard: 'Never rat on a friend.'