By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Emerson Woelffer, et al. The Colorado Springs Fine Arts Center has a rich assortment of attractions this summer. An Exhibition by Dale Chihuly showcases the artist's '70s-era glass work, which was inspired by American Indian art. One of his chandeliers has been installed in the lobby, and the solo also features the "Navajo Blanket Cylinder" series, which is cleverly paired with a show devoted to actual Navajo weavings. The CSFAC is also sampling its permanent collection with two gorgeous exhibits: Realism and Illusion and Art for Art's Sake. The former is filled with representational art, the later with abstraction. Don't miss the newly acquired Paul Cadmus or the many old favorites that have long languished in storage -- especially that Richard Diebenkorn. If all this weren't enough, there's also the spectacular retrospective Emerson Woelffer: Life in the Abstract. Woelffer was a Los Angeles artist who was a key player in the Colorado modernist scene in the 1950s, when he was director of the now-defunct-though-then-famous art school at the FAC. All shows through August 15 at the Colorado Springs Fine Arts Center, 30 West Dale Street, Colorado Springs, 1-719-634-5581. Reviewed July 15.
Poetry and Stone. Cab Childress, architect emeritus at the University of Denver, has been contributing to Colorado's and neighboring states' built environments for the past fifty years. Poetry and Stone: Cab Childress Architect at DU's Victoria H. Myhren Gallery surveys his impressive career with drawings, photos, models and other artifacts that illustrate his unique vision. In the late 1950s, when Childress was right out of architecture school, he was a modernist. Gradually, as early as the '70s, he came to embrace post-modernism. His best-known works are those on the DU campus, making it the perfect setting for this handsome retrospective. Childress designed many of the buildings constructed at the school during the last ten years or so, either alone or in concert with other firms. These include the controversial Daniel L. Ritchie Sports and Wellness Center, as well as Olin Hall, Daniels College of Business and the Newman Center for the Performing Arts. Together, they have completely remade the look of the campus. Through August 27 at the Victoria H. Myhren Gallery, Swayed Art Building, 2121 East Asbury Avenue, 303-871-2846.
Repeat Offenders. The summer extravaganza at the Singer Gallery of the Mizel Center for Arts and Culture is Repeat Offenders: Serial Works by Colorado Artists. This large, over-the-top exhibit was put together by Simon Zalkind, Singer's highly regarded director and curator. The idea for the show -- work that has repeated or related imagery -- is fairly open ended since nearly all artists work in series. That means that nearly anyone could have been eligible -- which is probably why he crammed in pieces by more than two dozen artists. For the show, Zalkind selected paintings, prints and photographs by some of the best-known talents in the area, including, among a host of others, Stephen Batura, Roland Bernier, Clare Cornell, Sushe Felix, Susan Goldstein, Karen Kitchel, Bethany Kriegsman, Jerry Kunkel, Andrea Modica, Jeff Star and Eric Zimmer. In addition, Zalkind put in work by a smattering of youngsters just out of the gate. The kids hold up surprisingly well in the heady company, especially emerging photographer Jason Patz. Through August 22 at the Singer Gallery, Mizel Center for Arts and Culture, 350 South Dahlia Street, 303-399-2660. Reviewed June 24.
scene Colorado/sin Colorado. The Denver Art Museum's local extravaganza, scene Colorado/sin Colorado, has quickly become one of the most talked-about shows this year. And that's no surprise considering that it includes more than three dozen Colorado artists represented by more than seventy works of art. Dianne Vanderlip, curator of modern and contemporary art, organized the exhibit, pulling work from the impressive holdings of the DAM's permanent collection. A couple of the artists included no longer live here -- notably Gary Sweeney, whose piece inspired the show's title, and "genius grant" recipient Robert Adams -- but their works in this show were created when they did. Vanderlip decided to exclude deceased Colorado artists -- and that's too bad. However, even with this limitation, she's undeniably assembled a worthy cavalcade of talent. The pieces date back over the past quarter century, which is the period during which Vanderlip has held the modern and contemporary reins at the DAM. Though far from encyclopedic, the show does cover a lot of ground. Through August 22 at the Denver Art Museum, 100 West 14th Avenue Parkway, 720-865-5000. Reviewed June 17.