By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
The piece is unexpectedly spare, considering the pair's typical everything-but-the-kitchen-sink approach. Suspended from the ceiling is a huge tree bough that seems to be growing out of the floor. Hanging from it is a gigantic, old-fashioned bathtub-drain stopper that evokes an anchor, because it is tethered to a miniature rowboat that's entangled in the branches. The boat at the top of the room transforms the space into a metaphorical body of water. There's only one false move: the photo projection.
Conor King makes no false moves in his marvelous solo, Sentience, which is handsomely installed in the back Associates' Space. The twenty-something King graduated from the University of Colorado at Boulder, where he studied with prominent photographer Alex Sweetman. This student-teacher relationship is apparent in King's six intriguing color photos in light boxes that make up his Pirate show.
In each of the six prints, King depicts a person or persons engaged in some kind of enigmatic activity. None of these actions is stranger than the one shown in "Explorer" (above), in which a young man is suspended by a heavy rope while removing large eggs from a nest. The eggs glow, making them stand out from the background. Highlighting particular parts of his photos by having them glow is a device King uses in most of these shots -- and it's undeniably effective.
The light boxes provide the only illumination in the space, and that creates a wonderful ambience that's not unlike the atmosphere in a national park visitor center. Also great is King's use of raw wooden frames; their earthiness contrasts wonderfully with the high-tech character of the lighted photos.
Sentience is spectacular and establishes King as one of the area's hottest young photographers. And just think: The so-called Month of Photography doesn't even start until October.
Both Pirate shows close this Sunday, September 12