Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Jimmy Eat World

Futures (Interscope)

Share

  • rss

By Zac Crain

Published on October 28, 2004

Three years doesn't seem like a long time between records, but kids today -- sorry, but that's who buys Jimmy Eat World albums -- don't have that much patience. The high school sophomore who fell for Jimmy Eat World's 2001 breakthrough, Bleed American, is now a college freshman falling for -- I don't know, the Shins? The current crop of high school sophomores are breathlessly instant-messaging about Taking Back Sunday. So while Futures finds Jimmy Eat World playing to the same strengths that sold a few million copies of Bleed American-- snappy guitars, sappy lyrics -- it probably won't be enough. The title track, with its subtle, "I hope for better in November" pro-Kerry endorsement, is a bid to break out of the teen ghetto the players were stuck in after the pants-optional video for "The Middle." But the second half of the disc drags them back to sixth-period study hall. With so much teen-guy angst and thwarted sexuality, Futures is fine if high school is still an open wound. Not so much if you're pushing thirty.