By Noah Hubbell
By Leslie Simon
By Brad Lopez
By Tom Murphy
By Noah Hubbell
By Inkoo Kang
By Dave Herrerra
By Josiah M. Hesse
"Generally, I'm also afraid of turning on the radio," he continued. "With some fine exceptions, ordinarily what I get coming out at me is not something I want to listen to. Or, I should say, I already know what to expect. I'm never surprised by it. Everything is a pastiche of something else. The lack of fearless originality is what scares me. It's all become a lot too predictable. I think that the rehash and nostalgification of life is not a good thing. As much as I love a 1-4-5 Chuck Berry progression, I'd like to think we could move beyond that one of these days. Certainly there are great creative people doing wonderful things, but the mainstream is not willing to open up to anything original or creative. This sort of dovetails into why the re-election of George Bush scares me. The country just continues to take giant steps backward on all levels, and that's not a good thing."
DJ Style and Fashion was reading a different chapter of the same book. "You know what scares me the most is the phenomenon of homogenization in the music industry," said Style. "The homogenized approach to music. If you'll notice, everything is processed to be the same. Natural selection is out the window. All there is is just derivative homogenization. It's like a rehash of this or a rehash of that. There used to be a time when people craved difference. People do not want to hear anything different anymore. There's no such thing as art for art's sake. Art for art's sake has disappeared. All we have now is commercial art -- art for commerce. That's it. Nobody expresses themselves just because they want to express themselves anymore. And that's fucking scary."
According to Bill Terrell, the frontman from Rogue (appearing this Sunday, October 31, at Whiskey Bill's with Metal Church, 3 Inches of Blood, Head Shop and Fury), only two things make him sweat. "My wife and the IRS -- because my wife will kick my ass if I don't toe the line, and the IRS will fuck me if I don't toe the line."
Tom Clenin, bassist for the Skulls, due at Equillibrium's third annual Halloween bash at the Larimer Lounge on Saturday night (see Upbeats and Beatdowns for full details), doesn't frighten easily, either. That is, unless you're turning tricks on Colfax minus a set of choppers. "Not much scares me anymore," said Clenin, "except hookers with no teeth. When you bring a girl home to meet Mom, you want her to have a nice grille. I guess that's why I stopped soliciting hookers, because I couldn't find any with teeth. But really what scares me, I think, are carnies, midgets, tweakers, ex-girlfriends and people that think like me."
Rhett Lee, formerly of Carolyn's Mother (how weird does that sound?), has smaller concerns. "Those little earwigs," Lee explained. "There those little pincer bugs that are always in people's basements. I hate those. I have no idea why, but they just creep me out. Like, I'm cool with spiders and all the rest of the things you'll find in the basement. But those things -- it's probably because they're so fast."
Not as fast as Dan Rutherford, our man from Morning After Records, who knows when to haul ass. "Frat parties scare me," Rutherford said, "because I'm afraid of getting my ass kicked." And if you've ever seen Rutherford, you know that with that haircut, he's just begging for an ass-whuppin' from the Sportos.
Upbeats and beatdowns:On Tuesday I got the scariest news I've heard all year, and it was no trick: Melissa Martin, the booking and promotions manager at the 15th Street Tavern, phoned late that afternoon with word that the Tavern will host its last show ever this Saturday, October 30. After nearly a decade as one of Denver's most renowned dives, the Tavern will go dark after performances by Love Me Destroyer, Black Lamb, Crimson Haybailer, the Otter Pops, Slow Crawl, the Rabid Ragdolls and Crack Owl. For those who want to hang at the Tavern one last time and wish Andy Artzer, the Tavern's owner, and his crew a fond farewell, the show runs from 3 to 10 p.m.
Elsewhere on Saturday, Frontside Five unleashes its new disc at Equillibrium's Halloween soiree at the Larimer Lounge, with King Rat and two of the area's finest tribute bands, Zillion Dollar Sadists, which pays homage to Turbo Negro, and the Skulls, who channel the Misfits; Sympathy F gets back together for one night at Cero; Potion # 10.30.04 features the turntable skills of East Coast imports Kooky Scientist and Gregory Shiff as well as DJs Ivy, ejay, Trip Coffin, Scott Everett, Shane Delinks, Alalaone, P2 and Satori C (call 303-382-3496 for event locale); Saved by Hero, Blind Harvest, the Dearly Beloved, Tenpenny and All Ways Out hit the Oriental Theatre; Wendy Woo tunes up at the D Note; D Bone drops his new disc, Flying Saucer Trailer Park, at Punch and Judy's; Maris the Great, a cat who thinks every day is Halloween, presents Bite My Halloweenie 2004 with Assisted Suicide Assembly, My Only Hope, Ainmatter, the Mutiny and Emnity at Pink E's; Cabaret Diosa and DeVotchKa join forces at the Boulder Theater; DJs Rob Hatch and Slave 1 oversee a hearse raffle at the Cherry Pit; Datacode Division and Black Cell drop into 2101 Champa; Tea Leaf Greenand Leftover Salmon swim up to the Fillmore; and the Motet conjures up Prince at the Fox Theatre.