Encore

Metamorphoses. Mary Zimmerman's play is a sometimes ironic and sometimes respectful take on Ovid's work of the same name. The cast assembles around a granite pool -- a miracle of design and engineering at the Avenue Theater -- that can be anything from a backyard pool to the Greeks' dangerous wine-dark sea, a medium for death, birth, baptism and transformation. Actors act out the myths or narrate them, sometimes addressing the audience, sometimes each other. The gods they portray are pretty much like the rest of us, vain or large-spirited, compassionate or cruel. Zimmerman may deserve all the praise she's earned for Metamorphoses, but the most powerful scenes rely on the words of Ovid and poet Rainer Maria Rilke. Still, Metamorphoses is a seductive combination of lighthearted pleasure and resonant, powerful theme. Presented by the Avenue Theater, extended through November 14, 417 East 17th Avenue, 303-321-5925, www.avenuetheater.com. Reviewed June 17.

The Tale of the Allergist's Wife. This play starts like a slightly-more-eccentric-than-usual sitcom, starring one of television's most recognizable types, the kvetchy Jewish New Yorker -- a kind of older and more depressed Rhoda Morgenstern. Here Rhoda is called Marjorie, and she's saddled with a doctor husband who ignores her while taking care of the poor and appearing on television shows with titles like "The Good Walk Among Us." She also has a bitter mother, an enigmatic long-lost best friend and an Arab doorman. Marjorie's pretty funny, a sort of stick with a mop of frizzy hair who weeps, hurls herself onto the furniture in her bathrobe, dissects Nadine Gordimer and laments the book that she herself never got around to finishing. It's hard to tell whether we're supposed to sympathize while we laugh at her or whether she's intended as pure caricature. By the second act, having sketched in his characters and had some pretty hilarious jokes at their expense, playwright Charles Busch appears to have lost his way. There are some muddled plot twists, and then Marjorie gives a big speech about her little family that sounds as if the playwright is reaching for a pat happy ending, one that negates all the acerbic wit that's gone before. Presented by the Theatre Group through November 20, Theatre on Broadway, 13 South Broadway, 303-777-3292, www.theatregroup.org. Reviewed October 7.