By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Jacques Brel Is Alive and Well and Living in Paris. Jacques Brel was a Belgian singer-songwriter whose reputation took flight in the 1950s and '60s. His songs influenced, among others, Leonard Cohen, David Bowie, Sting and Bob Dylan, and they have been sung by such diverse artists as Frank Sinatra and Nina Simone. They're verbally and musically complex, sentimental and cynical, worldly wise and world-weary, celebratory, funny. Has anyone since Gilbert and Sullivan fit words and music together so cleverly? And has the world's seamy underside been so powerfully expressed in music since Brecht-Weill? The evening starts with "Marathon," a fast, infectiously rhythmic number that whirls us through the twentieth century, from the bathtub gin of the '20s to the Depression, from World War II to contemporary space travel. The lyrics evoke several of the evening's primary themes. Brel sings of the dark side of life, of greed, lust, rank smells, human perfidy and the sorrows of aging. But there is tenderness, redemption and giddy pleasure here as well. The musicians are first-rate. The four singers excel individually and harmonize well together. So put on your spats and your high-button shoes: This is everything cabaret should be. Presented by the Theatre Cafe in an open-ended run, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100. Reviewed November 25.
Menopause The Musical.Menopause The Musical is as much a phenomenon as a piece of theater. The plot is so fragile that even the cliche "whisper-thin" doesn't describe it. Four women -- no, four types -- meet at a lingerie sale at Bloomingdale's: Power Woman, Soap Star, Earth Mother and Iowa Housewife. They begin by bickering but discover that they have hot flashes, memory lapses and mood swings in common. They then proceed to sing parodies of iconic baby boomer songs. "Chain of Fools" becomes "Change, Change, Change"; the opening line of "Heat Wave" transforms into "I'm having a hot flash"; and, in one of the evening's most successful numbers, the women beg the doctor for Prozac to the tune of the Beach Boys' "Help Me, Rhonda." Most of the lyrics are not particularly clever, though "Good Vibrations" is put to hilarious use. For the most part, the show feels like a series of jingles advertising the possibility of a chipper menopause. The four actress-singers are all talented and give huge, vigorous performances, despite the fact that they are crudely and far too loudly miked. Presented by the New Denver Civic Theatre in an open-ended run, 721 Santa Fe Drive, 303-309-3773, www.denvercivic.com. Reviewed August 12.
Metamorphoses. Mary Zimmerman's play is a sometimes ironic and sometimes respectful take on Ovid's work of the same name. The cast assembles around a granite pool -- a miracle of design and engineering at the Avenue Theater -- that can be anything from a backyard pool to the Greeks' dangerous wine-dark sea, a medium for death, birth, baptism and transformation. Actors act out the myths or narrate them, sometimes addressing the audience, sometimes each other. The gods they portray are pretty much like the rest of us, vain or large-spirited, compassionate or cruel. Zimmerman may deserve all the praise she's earned for Metamorphoses, but the most powerful scenes rely on the words of Ovid and poet Rainer Maria Rilke. Still, Metamorphosesis a seductive combination of lighthearted pleasure and resonant, powerful theme. Presented by the Avenue Theater, through January 2, 417 East 17th Avenue, 303-321-5925, www.avenuetheater.com. Reviewed June 17.
The 1940s Radio Hour. Set in the basement studio of a small radio station in New York City, The 1940s Radio Hour is a sequence of well-known and well-loved songs from an era when America was fighting a just war and patriotism was innocent. The songs are glued together by jokes, fragments of plot, and commercials for things like soap and refrigerators. Shannan Steele's near-orgasm over an Eskimo Pie is particularly funny, as is Duane Black's rendition of a laxative commercial. Although the talky sections are the least interesting parts of the play, the singing is so nice, the songs so fine and the musicians in the band so accomplished that the evening is a pleasure. Presented by the Arvada Center for the Arts and Humanities through December 26, 6901 Wadsworth Boulevard, Arvada, 720-898-7200, www.arvadacenter.org. Reviewed December 9.