By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
NOT YOUR TYPE. The Singer Gallery at the Mizel Center for Arts and Culture is presenting NOT YOUR TYPE: Works in Words by Roland Bernier, Rick Griffith and Martin Mendelsberg, an art show about words. Simon Zalkind, Singer's director, organized the exhibit as the visual-art component of the center's annual Leah Cohen Festival of Books and Authors. Zalkind cleverly put graphics -- a widely seen but rarely exhibited art form -- with that old exhibition workhorse: painting. The lone painter in the show, Roland Bernier, has been using words as an aesthetic device for nearly forty years. Bernier's work looks great next to the graphics of Rick Griffith and Martin Mendelsberg, because they also use words to make their art -- but for different reasons. Bernier is one of the modern masters of the area, and Griffith and Mendelsberg are both extremely well known. It's a diverse group of pieces, but the show is somewhat unified because there are all those words everywhere. Through December 30 at the Mizel Center for Arts and Culture, 350 South Dahlia Street, 303-399-2660.
Opened Windows. Boulder artist Virginia Maitland has been part of the local scene since the '70s, when she moved to Colorado from Philadelphia on a whim after graduation from the Pennsylvania Academy of the Fine Arts. Since Opened Windows at Studio Aiello is her first show in Denver in a decade, however, many in the art crowd may never have heard of her, let alone have seen her pieces. Something of a retrospective -- though it's been installed backwards, with the newest works in the first bay and the oldest in the third -- the exhibit includes over three dozen paintings, some of them eight feet long. As befits such a massive endeavor, there's an accompanying catalogue. The show was organized by gallery co-directors Monica Petty Aiello and Tyler Aiello, with lots of input from Maitland. An abstractionist, her signature works are color fields à la Helen Frankenthaler, especially the ones done on unprimed canvas. It's this kind of work, created in the '70s and '80s, that made Maitland famous in the region; she also did other work, such as geometric abstractions and even some representational pieces with photo-transfers. Through January 21 at Studio Aiello, 3563 Walnut Street, 303-297-8166.
PILLish, et al. Cydney Payton, director of the Museum of Contemporary Art/Denver, has been busy lately. She oversaw the architectural competition to select a designer for the museum's soon-to-be-constructed new building (the winner: David Adjaye), and she's been lining up money to pay for it, which is a full-time job in itself. But somehow she was also able to put together the three shows currently at the MCA. On the main floor is PILLish: Harsh Realities and Gorgeous Destinations, which takes aim at the drug culture, both of the illicit and prescription kind. The exhibit includes a roster of international artists -- among them, Larry Clark, Damien Hirst, Nan Goldin, Takashi Murakami and Fred Tomaselli -- as well as Colorado's own Albert Chong. Closely related in content to PILLish (because it has a medicine chest in it) is Paola Ochoa's True Love, a video installation nestled in a space under the mezzanine. Ochoa was the first artist selected for the MCA's NEW PIC program, which highlights emerging talent. On the mezzanine is Shadows and Fog, a solo by Margaret Neumann, an early exponent of neo-expressionism. All through January 2 at the Museum of Contemporary Art/Denver, 1275 19th Street, 303-298-7554. Reviewed November 11.
The Quest for Immortality. With the rise of archaeology in the eighteenth and nineteenth centuries, scientists began excavating Egyptian tombs and discovering a wide array of gorgeous artifacts. This tomb art is what makes the blockbuster currently on display at the Denver Museum of Nature & Science absolutely fabulous. A traveling exhibit about midway through its coast-to-coast tour, The Quest for Immortality was organized by the National Gallery of Art in Washington, D.C., in collaboration with Copenhagen's United Exhibits Group and Cairo's Supreme Council of Antiquities. An army of scientists, curators and scholars worked on it, headed up by Betsy M. Bryan, a professor at Johns Hopkins University in Baltimore. The heart of the exhibit includes objects found in the tomb of Thutmose III, as well as an astounding digital re-creation of the tomb itself. The show is jammed with visitors, but don't let all the people -- or the steep ticket prices -- dissuade you: This is one show that you've really got to see to believe. Through January 23 at the Denver Museum of Nature & Science, 2001 Colorado Boulevard, 303-322-7009. Reviewed October 7.
TIWANAKU. In the Helen Bonfils Stanton Galleries on the first floor of the Denver Art Museum is the unusual show TIWANAKU: Ancestors of the Inca. Tiwanaku was a large city on the shores of Lake Titicaca, in the mountains of Bolivia, that existed from 200 to 1100 A.D. The people who lived there, also called Tiwanaku, were not really ethnically related to the Inca, though the Inca adopted them as their cultural forebears and believed they were gods. Margaret Young-Sánchez, the DAM's pre-Columbian curator, put together the show, which is groundbreaking as a scholarly endeavor. There are nearly a hundred objects, including ritual pieces, ceramics, gold jewelry, pottery and a selection of remarkable textiles. Interestingly, much of the material is not from Tiwanaku, coming instead from surrounding towns. After all, the Inca -- and then the Spanish -- had looted the place centuries earlier, so there's little left. Through January 23 at the Denver Art Museum, 100 West 14th Avenue Parkway, 720-865-5000. Reviewed November 25.