By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Pictures From Sonny's Place, et al. Nationally known Colorado painter John Hull has been described in the New Yorker as a combination of Corot and Quentin Tarantino. That tongue-in-check appraisal really hits the mark with Pictures From Sonny's Place, now at + Gallery. The paintings are set in a junkyard, the "Sonny's Place" of the title. Hull's established method is to create a series of related paintings based on sketches done in the field. Each paintings has a narrative component that connects it to the others. When all the paintings are taken together, the narratives build on one another creating a plot worthy of a novel. All Hull's favorite subjects are here, in particular young thugs and the cars -- in this case, wrecked ones -- that are at the center of their lives. Paired with Hull's solo is Selections From New American Paintings, Issue #54, which includes pieces by Waddy Armstrong, David Leonard, Kevin Lucero Less, Thuong Nguyen and Kate Petley. Through February 19 at the + Gallery, 2350 Lawrence Street, 303-296-0927.
Siqueiros. The exhibition Siqueiros: Spirit of a Revolutionary, at the Museo de las Américas, is evidence that the beleaguered institution -- which all but collapsed last year -- is still alive and kicking. The gorgeous exhibit, put together by Alfonso Miranda Marquez of the Museo Soumaya in Mexico City, includes more than a score of works by one of the greatest Mexican artists of all time, David Alfaro Siqueiros. Using paintings, drawings and watercolors, Marquez economically surveys the artist's career from the 1910s to the 1970s. Siqueiros was one of "Los Tres Grandes" of the Mexican mural movement, and like the other two -- Diego Rivera and José Clemente Orozco -- he created work with one eye on vanguard styles developing in Europe and the other on left-wing political action at home in Mexico. An interesting aspect of Siqueiros's style is that it had an influence on artists in the United States -- the social realists as well as the abstract expressionists. The opening reception for Siqueiros will be held Thursday, February 10, from 6 to 9 p.m.; admission is $4 for non-members. Through April 23 at the Museo de las Américas, 861 Santa Fe Drive, 303-571-4401.
Three Dimensions and David Mazza. The William Havu Gallery is presenting Three Dimensions, an ambitious group show made up of monumental sculptures by three important artists working in the West: Denver's Lawrence Argent; Austin's Stephen Daly; and Tempe, Arizona's Mary Bates Neubauer. Argent, who is well known in town for his prominent public commissions, is represented by recent sculptures and several of his cerebral photo-enlargements of pacifiers. Daly is showing his large installation "Controller," along with a selection of his signature heads. A few major Neubauer bronzes are on display, as well as a large selection of smaller cast-iron pieces. On the gallery's mezzanine -- humorously dubbed the "Mazza-nine"-- is David Mazza, which is made up of recent sculptures by the local whiz kid. In addition, Mazza has a new piece installed on the sidewalk near the gallery's entrance and works on display in the sculpture garden out back. Also outside is the work of Michael Clapper. Through March 12 at the William Havu Gallery, 1040 Cherokee Street, 303-893-2360.
Upstarts and Matriarchs. Feminism transformed American society in the '70s, allowing female artists to turn the art world upside-down. Surveying this trend is the topic of Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art: 1970-Now. The exhibit was curated by Simon Zalkind, the director of the Singer Gallery of the Mizel Center for Arts and Culture, who has presented a formidable roster of first-rate shows over the years. It's hard to say that he's out-done himself this time, but he has. The scholarly show is installed both in the main multi-part space and in the nearby atrium gallery. The extra room was needed because Zalkind has included pieces by more than a dozen artists, among them major historical figures such as Judy Chicago, Audrey Flack, Nancy Grossman, Joyce Kozloff, Martha Rosler, Miriam Shapiro, Joan Semmel, Nancy Spero, Joan Snyder and Mierle Laderman Ukeles. Through March 27 at the Mizel Center for Arts and Culture, 350 South Dahlia, 303-399-2660.