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Recent Articles
Recent Articles by John La Briola
Thursday, July 20, Gothic Theatre, Englewood, 1-866-468-7621.
Wednesday, July 26, Bender's Tavern, 303-861-7070.
Monday, July 17, Walnut Room, 303-292-1700; Tuesday, July 18, Trilogy Wine Bar, Boulder, 303-473-9463.
The Sound of Urchin shoots its musical wad.
Dieselhed's Virgil Shaw's on his own these days, and happier than ever.
Related Articles
This quintet’s quirky brand of high-tech spontaneity resists categorization.
Friday, May 13, Cervantes' Masterpiece Ballroom, 303-297-1772.
Friday, January 27, and Saturday, January 28, Fillmore Auditorium, 303-830-8497.
Thursday-Saturday, March 15-17, Boulder Theater, Boulder, 303-786-7030.
National Features >
Riverfront Times
Boxing in St. Louis will never die--not as long as Kenny Loehr has a kid in the ring.
By Kristen Hinman
Houston Press
In Texas, restitution for victims is nothing but a state-sanctioned sham.
By Chris Vogel
Seattle Weekly
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
By Jonathan Kauffman
Sound Tribe Sector 9
Artifact (System)
Published on February 10, 2005
After seventy minutes of uncommonly fluid electro-soothe, STS9 doesn't exactly alter the course of down-tempo music. But here's the good news: Atlanta's vibrational five-piece has forgone chasing the Grateful Phish ghost for more computerized pastures. With fresh ideas and a strictly enforced moratorium on dreaded solo noodling, the Tribe unveils its first studio effort since 1999's Interplanetary Escape Vehicle. Steeped in jazzy laptop-laden grooves and polyrhythmic percussion, Artifact blends acoustic guitar, baby grand, analog loops and a stash of mind-bending electronica into a predominantly instrumental effort -- excepting a few tasteful cameos from Bay Area MC Audio Angel ("Better Day," "Possibilities"). Standout cuts "Peoples," "Trinocular" and especially "Tokyo" all bear witness to what these nouveau hippies should have been doing from day one: turning improvisational table scraps into chill, futuristic elevator music.