By Susan Froyd
By Byron Graham
By Robin Edwards
By Bree Davies
By Josiah M. Hesse
By Bree Davies
By Susan Froyd
By Kate Gibbons
Siqueiros. The exhibition </>Sigueiros: Spirit of a Revolutionary at the Museo de las Américas is evidence that the beleaguered institution -- which all but collapsed last year -- is still alive and kicking. The gorgeous exhibit, put together by Alfonso Miranda Marquez of the Museo Soumaya in Mexico City, includes more than a score of works by one of the greatest Mexican artists of all time: David Alfaro Siqueiros. Using paintings, drawings and watercolors, Marquez economically surveys the artist's career from the 1910s to the 1970s. Sigueiros was one of "Los Tres Grandes" of the Mexican mural movement, and like the other two -- Diego Rivera and Jose Clemente Orozco -- he created work with one eye on vanguard styles developing in Europe, and the other on left-wing political action at home in Mexico. An interesting aspect of Sigueiros's style is that it had an influence on artists in the United States, and not just the social realists, but the abstract expressionists, as well. Through April 23 at the Museo de las Américas, 861 Santa Fe Drive, 303-571-4401.
Upstarts and Matriarchs. Feminism transformed American society in the '70s, allowing female artists to turn the art world upside-down. Surveying this trend is the topic of Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art: 1970-Now. The exhibit was curated by Simon Zalkind, the director of the Singer Gallery of the Mizel Center for Arts and Culture, who has presented a formidable roster of first-rate shows over the years. It's hard to say that he's out-done himself this time, but he has. The scholarly show is installed both in the main multi-part space and in the nearby atrium gallery. The extra room was needed because Zalkind has included pieces by more than a dozen artists, among them major historical figures such as Judy Chicago, Audrey Flack, Nancy Grossman, Joyce Kozloff, Martha Rosler, Miriam Shapiro, Joan Semmel, Nancy Spero, Joan Snyder and Mierle Laderman Ukeles. Through March 27 at the Mizel Center for Arts and Culture, 350 South Dahlia, 303-399-2660. Reviewed February 17.
Will Boys Be Boys? In her recent programming at Denver's Museum of Contemporary Art, director Cydney Payton has really tried to push some buttons. Last fall the topic at hand was drug use; now, for the second half of the current season, it's the life of teenage boys, in Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art. Looking at art about teenage boys could make viewers uncomfortable, especially in the case of those pieces in which kids are acting like grownups by drinking, doing drugs and becoming sexual. That last part is particularly edgy, since it brings in the dark specter of the sexual abuse and exploitation of children. The provocative exhibit, which fills both the main floor and the mezzanine at the MCA, is a traveling show put together by Shamim Momin, an associate curator at the Whitney Museum of American Art. Momin selected pieces in an array of mediums, including painting, sculpture, installation and video, by such artists as Larry Clark, Collier Schorr, Chloe Piene and many others. Through April 17 at the Museum of Contemporary Art/Denver, 1275 19th Street, 303-298-7554.
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