Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Killswitch Engage

Friday, March 18, Fillmore Auditorium, 303-830-8497.

Share

  • rss

By Eryc Eyl

Published on March 17, 2005

At the 2005 Grammy Awards, Killswitch Engage was passed over in the category of Best Metal Performance in favor of Motörhead's Metallica cover. Given the proven irrelevance and utter cluelessness of the Recording Academy, this should be considered an endorsement of Killswitch, a band that has written and rewritten the rules of metalcore with consistently blistering results. Anchored by the Judas Priest-indebted dual-guitar attack of Adam Dutkiewicz and Joel Stroetzel, the Massachusetts quintet dynamically balances aggression and melody with alternating death-metal verses and soaring choruses, screamed and sung by the powerful and compelling Howard Jones (no, not thatHoward Jones). While far too many such outfits sound like emo bands that have finally reached drinking age, the uncompromising Killswitch strikes the right balance of brutal and beautiful, heartbreaking and heart-stomping. Lemmy had better watch his back.