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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Riverfront Times
Babe 'n' Arms
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
By Nicholas Phillips
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
Best Tribute to the West Side
Westside Oratorio
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Published on March 24, 2005
El Centro Su Teatro's Tony Garcia combined with composer Daniel Valdez to turn the saga of the Chicano community into a moving presentation about Denver's Mexican-American population. But Westside Oratorio wasn't just about Denver; it chronicled decades of experience throughout the entire Southwest. As Garcia noted in his script, memory in the United States is short. That notion was ironically borne out by the location of this production: Westside Oratoriowas staged on the Auraria campus, which is built on the site of what once was the heart of Denver's Latino community.
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