By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Newsical. This show is bright, clever and fun, with catchy song rhythms, witty lyrics and very talented performers, but it has absolutely no edge. How much guts and originality does it take to beat up on Michael Jackson and demonize Martha Stewart -- particularly with huge fat targets like John Bolton and Tom DeLay wandering the public arena? But, of course, the producers plan to make money in both red and blue states, and we all know how tetchy everyone is about politics these days. So here's a song about Botox, and another about a family addicted to prescription drugs. Here are three loopy, drooly guys who lose their fear of flying by booking with Hooters Air. Several of the skits and songs are enjoyable. "W. Rides Again" features the drunken Bush girls celebrating their dad's election victory. A trio of old ladies trills about the joys of being felt up at the airport. There's a hilarious imitation of Arnold Schwarzenegger, and another of the new pope wearing stylish lederhosen. Newsical is a taste tantalizer rather than a meal, but it goes down well with a couple of glasses of wine. Newsical: All the Stuff That's Fit to Spoof, presented by the New Denver Civic Theatre in an open-ended run, Black Box Cabaret, 721 Santa Fe Drive, 303-309-3773. Reviewed May 19.
Parallel Lives. Parellel Lives begins promisingly, with two heavenly beings designing the human race. They discuss skin color -- red, tan, yellow -- and worry that those humans with ordinary white skin may feel left out or inferior. They decide that procreation will occur through sex and that women will bear the babies, but they fear the latter privilege may make the male of the species jealous. "Let's just give him as much ego as possible and hope for the best," sighs one. So far, so funny. But then things degenerate. Many of the pieces that make up this program seem absolutely pointless. Some have a point, but it's not worth more than a moment's consideration. A few sketches are funny or interesting, but several keep going long after you've savored whatever comedic nourishment they provide. Presented by the Avenue Theater through June 26, 417 East 17th Avenue, 303-321-5925, www.avenuetheater.com. Reviewed May 26.
Ruthless! the Musical. Little Tina Denmark was born with talent. No one knows where it came from -- her mother is a perky, cookie-baking, '50s-style housewife, her father always away on unspecified business -- but dancing and singing are clearly in her blood. So when Tina loses the lead in the school musical, Pippi in Tahiti, to Louise Lerman it's clear that the poor poppet is justified in any steps she takes to remedy the situation -- including murder. Soon Louise is swinging from her own skip rope, and Tina is playing Pippi. Ruthless is an extended piece of camp, a funny, silly pastiche of moments from Gypsy, The Bad Seed, All About Eve and every pre-'60s musical with a larger-than-life female star you can remember. Nonesuch Theater has mounted a highly entertaining version of the show, full of madly hamming actors and great voices. Presented through August 13 by Nonesuch Theatre Company, 216 Pine Street, Fort Collins, 1-970-224-0444, www.nonesuchtheater.com. Reviewed June 2.
Shaking the Dew From the Lilies. Five women are trapped in a shopping-mall bathroom. This is a pretty contrived premise, but the script and the actresses have enough charm to carry it off. Naturally, these five are very different; their paths would have been unlikely to cross under any other circumstances. Cynthia is a repressed society girl who says she has never used a public restroom before. Her introduction to slutty Tami occurs when the latter sprays cheap hairspray around the entire mirror area and into her face. There's some bickering about toilet paper, and then Susan and Aja enter. They're a fairly typical girlfriend coupling: Aja is the sexy woman, Susan the heavier, plainer one who basks in her friend's glamorous glow. We will eventually discover the depths of envious rage beneath Susan's pleasant exterior. The group is joined by thoughtful, quiet Nicole, who turns out -- of course -- to be gay. There's something daring and original about the play's funky setting, the women's candor about sex and other bodily functions, the references to smells, the way the dialogue is periodically punctuated by the sounds of urination and toilets flushing. But the early jokes are pretty feeble. Eventually, the women begin to reveal their secrets to one another. When prim Cynthia breaks down, it's genuinely shocking, but this is followed far too soon, before we can fully digest its implications, by Tami's revelations of childhood trauma. Sequential confessions are a staple of drama in our therapy-saturated culture, but they need to go somewhere. Still, somehow the play does prevail, and there's something disarming in the way the women come to understand each other in their cluttered, exhausted and enforced intimacy. Presented through June 18, Playwright Theatre, 2119 East 17th Avenue, 303-499-0383, www.PlaywrightTheatre.com. Reviewed May 19.