By Zoe Yabrove
By Bree Davies
By Byron Graham
By Susan Froyd
By Josiah M. Hesse
By Bree Davies
By Susan Froyd
By Kate Gibbons
Ruthless! the Musical. Little Tina Denmark was born with talent. No one knows where it came from -- her mother is a perky, cookie-baking, '50s-style housewife, her father always away on unspecified business -- but dancing and singing are clearly in her blood. So when Tina loses the lead in the school musical, Pippi in Tahiti, to Louise Lerman it's clear that the poor poppet is justified in any steps she takes to remedy the situation -- including murder. Soon Louise is swinging from her own skip rope, and Tina is playing Pippi. Ruthless is an extended piece of camp, a funny, silly pastiche of moments from Gypsy, The Bad Seed, All About Eveand every pre-'60s musical with a larger-than-life female star you can remember. Nonesuch Theater has mounted a highly entertaining version of the show, full of madly hamming actors and great voices. Presented by Nonesuch Theatre Company through August 13, 216 Pine Street, Fort Collins, 1-970-224-0444, www.nonesuchtheater.com. Reviewed June 2.
Summer Lovin'. Summer Lovin' is a string of songs held together with a thin thread of plot. A traveling troupe arrives at an old theater planning to stage a play, only to discover that the place is closed while its board contemplates converting it into an art-movie house. The photographs on the walls and the props and wigs in an old trunk inspire the actors to an outpouring of tribute and impersonation. It's difficult to square the simplicity and straightforwardness of the concept with the depth of pleasure the performance provides. A high level of musical skill is offered: All the performers sing and move well, and some of them play an instrument or two. The band, too, is terrific. The show's premise allows the cast to hop around through time and pick almost any number in any genre that they wish -- from an old music-hall routine to The Rocky Horror Picture Show's "Time Warp." It's hard not to enjoy a cast that's having such a good time and is so eager share it with you. Heritage Square Music Hall is more than a performance venue: It's a Colorado community. Presented by Heritage Square Music Hall through September 11, 18301 West Colfax Avenue, D-103, Golden, 303-279-7800, www.hsmusichall.com. Reviewed June 16.
Take Me Out. In Richard Greenberg's multi-award-winning play, the language is full of wit and unexpected insight, and the action trembles between funny and tragic. The story explores what happens when an admired baseball player tells the world he's gay. Darren is aloof, dignified, godlike to his fans. The son of a black father and a white mother, handsome and athletically gifted, he has led a life of privilege. He seems blind to the fact that his announcement is likely to cause problems. His best friend is Kippy, who also serves as the narrator. Predictably, everything changes in the locker room once he's made his announcement, and the contradictions are thrown into stark relief when the team brings in a new pitcher, an overgrown infant filled with grief and rage named Shane. At his first encounter with the press, Shane spews out a series of racist and homophobic epithets. Eventually, the story takes a turn toward tragedy. The play lacks a strong sense of overall unity -- structural or thematic -- but the writing is smart, enjoyable and thought-provoking, there are some wonderful scenes, and the characters are memorable. Curious gives the play a strong production, featuring several fine performances. Presented by Curious Theatre Company through July 2, 1080 Acoma Street, 303-623-0524, www.curioustheatre.org. Reviewed May 1.
Topdog/Underdog. Topdog/Underdog features two brothers in a dingy inner-city room. Lincoln and Booth -- their names were given to them by their feckless father as a joke -- tell tall tales, spar and play tricks on each other. For a while their bickering seems lighthearted and affectionate. Lincoln is an expert at three-card monte who dropped the hustle when one of his associates was killed. Now, wearing white makeup, a stovepipe hat and a ridiculous round beard, he impersonates his presidential namesake at an arcade. Booth is determined to learn the three-card-monte spiel from his brother. There's little suspense about how things will turn out, given the protagonists' names and a persistently flourished gun. What you don't know is how ingeniously playwright Suzan-Lori Parks will work out the action. The acting is impressive, and the play stays with you after you've left the theater. Presented by Shadow Theatre Company through July 2, Ralph Waldo Emerson Center, 1420 Ogden Street, 303-837-9355, www.shadowtheatre.com. Reviewed June 16.
The Wizard of Oz. The Boulder's Dinner Theatre production of The Wizard of Oz, under artistic director Michael J. Duran, hews very closely to the 1939 movie version, but it's done with such élan that the show never feels old. With bright, inventive sets, clever costumes, lively choreography and hyper-energetic performances, it's like a carnival ride that whisks you away in a swirl of color, movement, sound and simple nostalgia. As Dorothy, Emily Van Fleet faithfully channels Judy Garland, though she lacks the latter's sense of wonder. Her voice is a marvel, however, shading richly through melting variations in tone and color, and her rendition of "Over the Rainbow" had the audience spellbound. Several BDT stalwarts turn in riveting performances in other roles. Add inventive bits of direction, an excellent small orchestra, an adorable small dog and an ensemble full of fine voices and interesting personalities, and you have an extended frolic that both kids and adults can enjoy. Best of all, the production does full justice to Harold Arlen's wonderful songs. Presented by Boulder's Dinner Theatre through September 4, 5501 Arapahoe Avenue, Boulder, 303-449-6000, www.theatreinboulder.com. Reviewed May 26.
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