By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
For Float, Gibbons created a group of installations. Hanging on the walls are small, beautifully glazed bas-reliefs depicting fanciful sea creatures. On the floor is the title piece, "Float" (detail above), an evocation of a swimming pool filled with bathers -- fifty self-portrait heads. Gibbons chose the number fifty because that's her age, and each head indicates a different stage of her life. She's "submerged" the heads at various "depths," though it's all an illusion since the "water" is made of tile and nothing will actually sink into it.
In Dive, Sellars continues his exploration of gay politics through GI Joe action figures photographed in sexually evocative poses. Sellars uses a black background in these works that, when combined with the gray color of the figures, results in an extremely dignified presentation despite the inherent levity of beefcake shots of dolls.
Sadly, these may be among the last shows in what Phil Bender, the co-op's guiding light, calls "Big Pirate" -- as opposed to the "Little Pirate" that is coming on line. Landlords Chandler Romeo and Reed Weimer are reconfiguring the space so they can rent out the portion beyond the current front door as a separate unit (at a jacked-up rent). Too bad.
Float and Dive are on view through July 3 at what's still the Big Pirate. See it -- and them -- while you can.