Brian Eno

In 1975, Brian Eno proved himself a polarized figure with the release of Discreet Music, an early ambient opus, and Another Green World, a masterpiece of avant-garde pop. With Another Day on Earth, an ostensible sequel to Green World, Eno manages to evoke the least compelling traits of both sides...

By Jason Heller

June 30, 2005

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "12017618",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17242653",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17261320",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17261321",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

In 1975, Brian Eno proved himself a polarized figure with the release of Discreet Music, an early ambient opus, and Another Green World, a masterpiece of avant-garde pop. With Another Day on Earth, an ostensible sequel to Green World, Eno manages to evoke the least compelling traits of both sides of his sonic psyche. To their credit, these songs aren't as bad as most of his sketchy experiments and collaborations of late. "This" and "How Many Worlds," in particular, are evidence that Eno can still weave rich, indelible melodies into sparse strata of sonar-like guitars and pulsing loops. But the overdone production and listless arrangements are almost oppressive; what should be a soothing respite under a cool, calm cloudburst becomes a waterlogged purgatory in a tepid bathtub. While Another Day has grand pop aspirations, it ends up ambient in the most literal sense, amounting to little more than nondescript, if pretty, aural wallpaper.

KEEP WESTWORD FREE... Since we started Westword, it has been defined as the free, independent voice of Denver, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.