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Backbeat contributors reflect on the releases that helped them survive the year 2000.
Georgia Hard (Yep Roc)
Robbie Fulks may not be a radical, but he has definitely changed the face of good ol'-fashioned C&W.
Two-steppin' through a slew of recent country releases.
National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Robbie Fulks
Friday, July 8, Bender's Tavern, 303-861-7070.
Published on July 07, 2005
Robbie Fulks (right) is a bona fide smart ass who has almost too much talent for his own good. Reared in both the South and the Northeast and a graduate of Columbia University, Fulks emerged as an early star of the insurgent country movement that orbited Bloodshot Records in the mid '90s. His literacy and bright irreverence grabbed the ears of bemused critics with songs such as "She Took a Lot of Pills (and Died)" and "Fuck This Town," a blazing, one-finger salute to Nashville. Fortified by killer chops and stealth songwriting, the six albums he's released since 1996's Country Love Songs have moved from hard country and traditional twang to roots rock and concept pop; 2001's Couples in Trouble was a straightforward collection of hard-luck love stories. Georgia Hard, his first album in four years, is a return to country form, full of boot-stomping send-ups and Fulks's trademark self-deprecation. Highlights include "I'm Gonna Take You Home (and Make You Like Me)" and "Countrier Than Thou," a sideways tip of the hat to the alt-country diaspora. Welcome back, Robbie.