By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
The Elephant Man.The Elephant Man is based on the life of Joseph Merrick, who was born in Victorian London and suffered from a hideously deforming disease that resulted in overgrowths of bone and hanging excrescences of putrid flesh. Abandoned by his father and stepmother, Merrick became the primary attraction in a freak show, from which he was rescued by a doctor named Frederick Treves, and ensconced in London Hospital for tests. There his intelligence and poetic imagination were discovered, and he became something of a celebrity, receiving visits from the famed and wealthy. The direction at Bas Bleu is intelligent, with a focus less on the historical milieu than on the inner lives of Merrick and Treves. There are advantages to this approach, but also losses. Stetson Weddle's performance as Merrick is a little too subtle; sometimes the pace lags. Still, this is a thoughtful and sometimes moving production. Presented by Bas Bleu through July 23, 401 Pine Street, Fort Collins, 970-498-8949, www.basbleu.org. Reviewed June 30.
The Full Monty. The Full Monty follows a group of men who are out of work in Buffalo, New York. Amazed to discover that the women of the town are willing to pay high prices to watch a Chippendale-style strip show, the men decide they have nothing to lose and everything to gain by staging a similar extravaganza. The originator of the plan is the charmingly irresponsible Jerry Lukowski, who's desperate for money to meet support payments for his teenage son. Jerry's best friend, Dave Bukatinsky, has sunk into a marriage-threatening depression; he eats to console himself and has developed a formidable paunch. Stripping is the last thing on his mind. This is a good-hearted, gentle show, adapted from the 1997 British film, with a focus on the ways in which the men overcome their insecurities. It's also smart and well-written. You really do like these guys, and the critique of conventional sexual politics is both funny and right on. There's a lot of wonderful singing and acting in this production. And in the wives' loving shrieks of encouragement at the final striptease, and the men's growing confidence, there's an exhilarating sense of a broken community coming together to reaffirm itself. Presented by the Arvada Center through July 31, 6901 Wadsworth Boulevard, Arvada, 720-898-7200, www.arvadacenter.org. Reviewed on July 7.
Newsical. This show is bright, clever and fun, with catchy song rhythms, witty lyrics and very talented performers, but it has absolutely no edge. How much guts and originality does it take to beat up on Michael Jackson and demonize Martha Stewart -- particularly with huge fat targets like John Bolton and Tom DeLay wandering the public arena? But, of course, the producers plan to make money in both red and blue states, and we all know how tetchy everyone is about politics these days. So here's a song about Botox, and another about a family addicted to prescription drugs. Here are three loopy, drooly guys who lose their fear of flying by booking with Hooters Air. Several of the skits and songs are enjoyable. "W. Rides Again" features the drunken Bush girls celebrating their dad's election victory. A trio of old ladies trills about the joys of being felt up at the airport. There's a hilarious imitation of Arnold Schwarzenegger, and another of the new pope wearing stylish lederhosen. Newsical is a taste tantalizer rather than a meal, but it goes down well with a couple of glasses of wine. Presented by the New Denver Civic Theatre in an open-ended run, Black Box Cabaret, 721 Santa Fe Drive, 303-309-3773. Reviewed May 19.
Ruthless! the Musical. Little Tina Denmark was born with talent. No one knows where it came from -- her mother is a perky, cookie-baking, '50s-style housewife, her father always away on unspecified business -- but dancing and singing are clearly in her blood. So when Tina loses the lead in the school musical, Pippi in Tahiti, to Louise Lerman it's clear that the poor poppet is justified in any steps she takes to remedy the situation -- including murder. Soon Louise is swinging from her own skip rope, and Tina is playing Pippi. Ruthless is an extended piece of camp, a funny, silly pastiche of moments from Gypsy, The Bad Seed, All About Eveand every pre-'60s musical with a larger-than-life female star you can remember. Nonesuch Theater has mounted a highly entertaining version of the show, full of madly hamming actors and great voices. Presented by Nonesuch Theatre Company through August 13, 216 Pine Street, Fort Collins, 1-970-224-0444, www.nonesuchtheater.com. Reviewed June 2.
Summer Lovin'. Summer Lovin' is a string of songs held together with a thin thread of plot. A traveling troupe arrives at an old theater planning to stage a play, only to discover that the place is closed while its board contemplates converting it into an art-movie house. The photographs on the walls and the props and wigs in an old trunk inspire the actors to an outpouring of tribute and impersonation. It's difficult to square the simplicity and straightforwardness of the concept with the depth of pleasure the performance provides. A high level of musical skill is offered: All the performers sing and move well, and some of them play an instrument or two. The band, too, is terrific. The show's premise allows the cast to hop around through time and pick almost any number in any genre that they wish -- from an old music-hall routine to The Rocky Horror Picture Show's "Time Warp." It's hard not to enjoy a cast that's having such a good time and is so eager share it with you. Heritage Square Music Hall is more than a performance venue: It's a Colorado community. Presented by Heritage Square Music Hall through September 11, 18301 West Colfax Avenue, D-103, Golden, 303-279-7800, www.hsmusichall.com. Reviewed June 16.