By Susan Froyd
By Byron Graham
By Robin Edwards
By Bree Davies
By Josiah M. Hesse
By Bree Davies
By Susan Froyd
By Kate Gibbons
2005 Biennial BLOW OUT. This is the third in a series of biennials presented at Denver's Museum of Contemporary Art. In the past, participation in these biennials was limited to artists from around here; for the 2005 version, it's been expanded to include artists working in most of the Western states. Despite this, artists from Colorado still dominate the show: Six of the ten chosen by celebrity juror Kenny Schachter live in our state. These six, most from Denver, are Louisa Armbrust, who's exhibiting digital drawings; Patti Hallock, color photos; Susan Meyer, a wood-and-metal installation; Jason Patz, color digital lightjet prints; David Sharpe, pinhole photos; and Jeff Starr, painted ceramic sculptures. Sherlock Terry from New Mexico is showing lenticular photos. The other three, all from Arizona, are: Angela Ellsworth, embroidered paper napkins; Denis Gillingwater, installation with closed-circuit TV; and Jessica James Lansdon, a mixed-media installation in contact paper and yarn. Controversies aside, the show looks great. Through September 25 at the Museum of Contemporary Art. 1275 19th Street, 303-298-7554. Reviewed July 14.
Digitopia. Despite its title, Digitopia, a group show now at Studio Aiello, is not limited to digital art. In the front bay is an installation with sound by Kim Ferrer, in which old-fashioned swings are hung on rough ropes mounted to logs attached to the ceiling. The middle bay has been subdivided to give each of the artists separate spaces. In the first are digital drawings and acrylic paintings by rising art star Louisa Armbrust, one of the ten artists selected for the Museum of Contemporary Art's 2005 Biennial BLOW OUT. Incredibly, Armbrust, who does edgy hybrids of pop and minimalism, was booked for this show before the MCA announced she was in the biennial, so it's only a happy coincidence that she's in both at the same time. In the other sections are a digital photo installation by Leon Grodski that has something to do with Wal-Mart; a group of Playboy-style digital female nudes by George Arias; and an installation about time and sensory overload, among other things, by a North Carolina-based artist collective called Rudy, which is made up of Joyce Rudinsky and Eric Niemi. Through September 5 at Studio Aiello, 3563 Walnut Street, 303-297-8166. Reviewed on August 4.
Five Presses: Selected Works, et al. The enormous Lower Gallery at the Arvada Center have been given over to a massive print show, Five Presses. The show's title refers to the five presses from which curator Jerry Gilmore has selected the 75 prints he's included in this impressive exhibit. The presses include two famous ones located right here in Colorado -- Anderson Ranch and Shark's INK -- as well as New Mexico's Hand Graphics, Segura Publishing Company from Arizona and White Wings Press of Illinois. Among the artists who are represented are Terry Allen, Vernon Fisher, Jaune Quick-to-See Smith, Emilio Lobato, David Barbero, Robert Colescott, Emmi Whitehorse, Enrique Chagoya, James Turrell, Carrie Mae Weems and Betty Woodman. In the Upper Gallery is Donald Quade: Journal, a big solo filled with abstracts by this up-and-coming Denver painter. In the theater lobby is the more intimate Chuck McCoy: New Works on Paper, made up of abstracts on paper. Donald Quade and Chuck McCoy run through August 21, Five Presses through August 28, at the Arvada Center for the Arts and Humanities, 6901 Wadsworth Boulevard, Arvada, 720-898-7200.
Japanese Design Today 100. This exhibit, which features an examination of contemporary Japanese design, is likely to be the last of the big shows at Metro State's Center for Visual Art. That's because the budget's been drastically cut and director Kathy Andrews is leaving as a result. Poignantly, the show opened on Andrews's last day. She attended the opening reception, keeping a stiff upper lip while bidding a farewell to her supporters and the institution she ran for the past three years. Although Andrews installed the design exhibit, the Japan Foundation organized it with selections made by a panel of Japanese curators and designers. A lot of their choices are high-tech gadgets, including digital cameras, game stations and even a robotic dog, but there are also low-tech articles such as vases and toys. One of the exhibit's most interesting features is the lack of a discernable Japanese aesthetic, which is so obvious in older material. Instead, almost everything seems as though it could just as easily have been made in the U.S. Through August 27 at the Center for Visual Art, 1734 Wazee Street, 303-294-5207.
Lewis and Clark. There's quite a bit of art in it, but Lewis and Clark: The National Bicentennial Exhibition, at the Denver Museum of Nature & Science, is not an art show. In addition to the sculptures, paintings and decorative items, there are documents, weapons, maps, notebooks, clothing, medical paraphernalia and scientific equipment. All of it is interesting, some of it even beautiful. The Missouri Historical Society's Carolyn Gilman expertly curated the show, gathering up the 400-plus artifacts in it, more than a quarter of which may be directly traceable to the expedition itself. In her selections, Gilman attempted to include the perspective of both the Euro-Americans and the American Indians. The exhibit has basically been arranged in chronological order, following Lewis and Clark and their Shoshone guide, Sacagawea, along their route from the Midwest to the Pacific. They were looking for a river passage to the Northwest coast, but it wasn't there. The show's only flaw is the theatrical exhibition design, which is often distracting. Through August 21 at the Denver Museum of Nature & Science, 2001 Colorado Boulevard, 303-322-7009. Reviewed May 26.
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