Unspoken

Mum's the word about the Colorado Daily's sale.

Randy Miller, the president, publisher and editor of Boulder's Colorado Daily, has spoken to Westword on numerous occasions since purchasing the paper in 2001 -- most recently in March, when the Daily introduced a free-delivery Sunday edition. But following the September 26 announcement that the 113-year-old Daily had been sold to E.W. Scripps, the Cincinnati company that owns the Rocky Mountain News and the Boulder Daily Camera, the Daily's perennial enemy, he apparently developed laryngitis. After weathering a barrage of my interview requests over a three-day period, he finally sent an e-mail in which he declined to add anything to the puffy promotional statements he'd offered in the Daily's 321-word article on the topic.

The silent treatment is inadvisable for anyone in the newspaper game. After all, journalists who regularly demand disclosure from public officials and other newsmakers can't claim the moral high ground if they clam up the instant uncomfortable inquiries are aimed their way. But it's especially astonishing at the Daily, which has a lengthy history of battling for free speech.

Then again, the paper's past might explain Miller's reticence to discuss the deal, the details of which have not yet been disclosed. Not only was the Daily once the most liberal paper in Colorado's best-known sanctuary for progressive thought, but it loudly trumpeted its independence and regularly took on the right-wing power structure. Now, however, it's the property of Scripps, among the nation's most conservative media outfits. "It's ironic," notes Clint Talbott, who edited the Daily for a dozen years before becoming a Camera columnist. "A once-radical enterprise has become part of a corporate empire that it would have long railed against."

Obviously, the times they have a-changed -- but according to Todd Moore, who served the Dailyas a writer and graphics whiz in the mid-'80s, the main shifts took place long ago. "The beauty of the Daily back then is that the inmates ran the asylum," he maintains. "It was a vibrant, funny paper, and you never knew what you were going to find. Now it's just filler around the pizza ads."

That conclusion's a bit harsh: Today's Daily does a consistently solid job of covering its community and offers decent arts coverage. Nonetheless, Moore's mention of advertising is apropos. Under Miller, who previously worked in various capacities for the Kansas City Star and the Denver Post, the Daily has become a successful mainstream business that the Camera couldn't undermine. Mark Contreras, Scripps vice president for newspaper operations who'll oversee the Daily, isn't any more loquacious than Miller; his only comment is a canned quote also provided to other outlets, in which he calls the Camera and the Daily "unique" and says "each will continue to be a vital news and information source." But there's no doubt Scripps decided that if you can't beat 'em, buy 'em.

The Daily began life in September 1892 as the Silver and Gold, the University of Colorado at Boulder's campus newspaper; the current name came along in 1953, when staffers decided the previous moniker made it sound like a mining journal. (CU now has an internal newspaper called the Silver and Gold Record.) For more than a half-century, the paper was studiously non-controversial -- but that changed in the '60s, when the Daily's fervent opposition to the Vietnam War eventually inspired CU regents to sever ties with the paper. In 1971, under the leadership of Timothy Lange, the Dailyre-established itself as a not-for-profit organization, mutating into an employee-owned concern just over a decade later.

Editorially, meanwhile, the paper tackled Republicanism head on -- literally. An issue-length 1984 attack on then-president Ronald Reagan sported incendiary essays by the likes of Amiri Baraka and a photo illustration of a football placekicker lined up to boot Reagan's noggin. Scripps, in contrast, loved Reagan and his ideological brethren; the company has endorsed Republicans in every presidential election but one since the '30s, and forced its papers to do likewise until last year, when the Camera rebelled. (Had this policy not ended, the Daily could be in the position of printing a rave about someone like Bill Frist three years from now.)

Upon Lange's 1986 departure and Talbott's entry as editor, the Daily began focusing less on incendiary rhetoric and more on local journalism. Still, its editorials tilted leftward and regularly attacked the Camera as "Brand X paper -- the big corporate behemoth that was, in our view, bland and shipping off local profits," Talbott recalls. (When he joined the Camera in 1998, Talbott says, he was disabused of his biases.) Unfortunately, the Daily's own bottom line soon became a bigger issue, after finance director Mark Breese was found to have embezzled at least $250,000.

The paper was on the brink of collapse when Miller purchased it four years ago, but he quickly shored up its business side and aggressively moved forward with expansion plans. The Camera countered in 2004 by creating dirt, a free daily paper targeting the youthful constituency that the Daily aims to attract. Scripps's purchase of the Daily would seem to make dirt expendable, and while Greg Anderson, the Camera's publisher, praises the spinoff's performance to date, he stops short of guaranteeing its survival. "We'll be getting together with the leadership of dirt to discuss that," he allows. "We haven't discussed any of it yet." Neither have decisions been made about offering advertisers the opportunity to jointly buy ads in the Camera and the Daily, Anderson says, "but there are definitely some synergies there."

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