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Riverfront Times
Boxing in St. Louis will never die--not as long as Kenny Loehr has a kid in the ring.
By Kristen Hinman
Houston Press
In Texas, restitution for victims is nothing but a state-sanctioned sham.
By Chris Vogel
Seattle Weekly
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
By Jonathan Kauffman
Bun B
Trill (Rap-A-Lot/Asylum)
Published on November 17, 2005
Some MCs are dancers and dodgers, like Barry Sanders on the microphone; it's hard to get a grip on them. Bun B is not one of those. As befits his stocky frame, he's more in the vein of Jerome Bettis or Larry Csonka, a human cannonball who moves piles of humanity with raw, directed power. That's his approach on this almost-wall-to-wall collection of bangers about Southern pride and the perils and glories of the dope and rap games. On one of the album's strongest tracks -- the Mr. Lee-produced, rock-tinged "Get Throwed" -- Pimp C, Jay-Z, Young Jeezy and Bun trade verses as Z-Ro sings the hook. The Mannie Fresh-produced "I'm Fresh" and "Trill Recognize Trill" -- one of Lil Jon's strongest (and strangest) head-bussas to date -- also shine, as does "Pushin'," on which Bun, Scarface and Young Jeezy trade rock-slangin' tales over a sped-up Curtis Mayfield sample. The Ying Yang Twins/2 Live Crew collaboration "Git It" could be the weakest track, though I've yet to hear it in its natural habitat -- when I'm tequila-drunk in a strip club.