By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Andy Warhol's Dream America. Hot on the heels of its smash hit, Chihuly, the Colorado Springs Fine Arts Center is presenting yet another blockbuster devoted to the work of a household name in contemporary art: Andy Warhol's Dream America. The exhibition was curated by Ben Mitchell of Wyoming's Nicolaysen Museum. The more than 100 prints -- on loan from the Jordan Schnitzer Family Foundation -- survey the pop pioneer's career from the late '60s to 1986, the year before he died. There are many iconic Warhol images included, such as his depictions of soup cans, shoes, Marilyn, Jackie and Mao. More than any other pop artist of his generation, Warhol anticipated the art of today by working not only in traditional media, such as the prints in this show, but also in film and performance. He is generally regarded as having been among the most important artists in the world during the second half of the twentieth century, and one of the greatest American artists of all time. The wide range of prints in this show neatly explains why. Through December 31 at the Colorado Springs Fine Arts Center, 30 West Dale Street, Colorado Springs, 1-719-634-5581.
Building Outside the Box. With the Denver Art Museum's outlandish Hamilton Building by Daniel Libeskind taking shape at West 13th Avenue and Acoma Plaza, there's a lot going on outside the place. Inside the gorgeous Gio Ponti tower, it's a different story. Up until the opening of the Hamilton next fall, there will be one show on the main floor titled Building Outside the Box: Creating the New Denver Art Museum, which has been given the cutesy nickname of B.O.B. If the Hamilton Building itself is exciting, its explication put forward in this show is decidedly not; it's the kind of thing you'd expect to find in an airport or a shopping mall, but surely not at an art museum. This dog looks as if it were organized by a committee and not by a curator with some expertise -- like Craig Miller, the head of the DAM's architecture, design and graphics department. He always does such a good job, so he obviously had nothing to do with it. The shame is that with the existence of this dumbed-down feature, it's unlikely that a proper show on the topic will be done in the future. Through Fall 2006 at the Denver Art Museum, 100 West 14th Avenue Parkway, 720-865-5000. Reviewed November 10.
Centennial of William Sanderson. This exhibit was co-curated by Michael Sanderson and Kirkland Museum director Hugh Grant and includes pieces from that institution's permanent collection, loans from various local collectors and from the artist's estate. Sanderson was one of the most prominent Denver artists in the late 1940s and early '50s, and his signature style had a cartoonish quality that sometimes referenced cubism. By the '60s, Sanderson was all but forgotten, but in the 1980s, not long before he died, his career enjoyed a second boom. The interesting thing is that this revival didn't happen because Sanderson's work changed -- the art world did. The show was hung mostly chronologically and includes the kinds of things Sanderson is best remembered for, plus a few odd paintings out, which connect to the rest through his meticulous paint-application technique. This skill is something that reveals his astounding hand-to-eye coordination to even the most casual viewer. Through January 22 at the Kirkland Museum of Fine & Decorative Art, 1311 Pearl Street, 303-832-8576. Reviewed November 24.
Colorado: Then & Now II. In the late 1990s, internationally known photographer John Fielder came up with the idea of re-photographing old shots done by William Henry Jackson. This idea led to an exhibit at the Colorado History Museum in 1999, with this current show being the long anticipated sequel to that one. The CHM has a vast collection of Jackson's work, dating back to his first photos of the state done in 1873, when he was part of the federal Hayden Survey of the American West. In 1880, he opened a Denver studio, which he closed in 1896. As he did for that first Then & Now, Fielder went through the vast Jackson archives and selected the images he wanted to re-create and then revisited those locales. This time, however, he picked more views of buildings rather than depictions of the wilderness. During the show's run, the CHM gift shop will have Fielder's accompanying book, Colorado Then & Now II, for sale, as well as Volume I for those who missed it. Through April 5 at the Colorado History Museum, 1300 Broadway, 303-866-3678.
Dale Chisman. Abstract painter Dale Chisman is at the top of everyone's list, both for his talent and his commitment to art. Chisman began his art career in the 1960s, when he studied with Martha Epp at North High School and, later, with Mary Chenoweth at Colorado College. After graduating from the University of Colorado, he left the area to seek fame in New York. He returned twenty years ago and has lived in town ever since. Dale Chisman at Rule Gallery is partly devoted to work Chisman did in New York in the 1970s and partly given over to paintings done just in the last few months. It's striking how consistent his aesthetic has been over the years; though the new paintings are clearly distinct from the old ones, they are obviously an outgrowth of them. Both sets feature simple palettes of strong colors and have all the tricks of the abstract trade, including smudges, drips, runs and scribbles. Expansive color fields provide a stage for isolated shapes -- geometrics in the old paintings, organic forms in the new -- to play on. Through January 14 at Rule Gallery, 111 Broadway, 303-777-9473. Reviewed December 15.