Sketches

Brief reviews of current shows

Tir a'Mhurain. The bizarre title of this photo exhibit at The Camera Obscura Gallery is Scottish for "Land of Bent Grass" and refers to the Hebrides islands, which lie northwest of Scotland. The exhibit is made up of a recent project carried out by Josef Tornick, who lives in Santa Fe, New Mexico. In 1954, legendary photographer Paul Strand spent three months recording the sights on the tradition-bound islands of the Hebrides. In 2004 Tornick decided to retrace Strand's steps. But despite the Strand reference, Tornick did not ape the master's style and instead brought his own vision. This was due in part to the conceptual underpinnings of Tornick's project, which has a sociological flavor. Tornick conveys the everyday life of people who live in the Hebrides, including their interconnections, traditions and cultural life. The photos also reveal that life is hard, no matter how picturesque the Hebrides are. Through December 31 at The Camera Obscura Gallery, 1309 Bannock Street, 303-623-4059.

TRUSS THRUST. Museum of Contemporary Art director Cydney Payton put together this thematic video show by free-associating on the topic of visual perception. She considered biological processes, social and cultural conditioning and the physical and psychological perceptions of movement and space. The show addresses all these issues, though it was surely not inevitable that they would lead Payton to organize an exhibit made up of video installations exploring dance and architecture. Payton began to build the show by first selecting Peter Welz, a Berlin-based artist who is known for his exploration of movement in videos, drawings and installations. Welz is joined by The Blue Noses Group from Russia, a partnership of Viacheslav Mizin and Alexander Shaburov, who do short films based on traditional Russian humor, such as "Little Men," which depicts cavorting nudes. The last participant is Sergio Prego, a Spanish artist interested in relentless endurance. Through January 8 at the Museum of Contemporary Art/Denver, 1275 19th Street, 303-298-7554. Reviewed December 1.

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Wyoming Expeditions. Gallery Roach is named for the late Otto Roach, a prominent commercial photographer in mid-twentieth century Denver. His lab, Roach Photography, earned a fine reputation for photo finishing. Dutch Walla, who became Roach's associate more than fifty years ago, now owns both the gallery and the lab. Wyoming Expeditions features Roach's photos of Wyoming from the 1940s through the 1960s. They're done in black and white, with Roach capturing many famous scenes, including such remarkable Yellowstone National Park subjects as the surrealistic Jupiter Terrace and the majestic falls at Yellowstone's Grand Canyon. Roach repeatedly visited nearby Wyoming to take photos, so he was able to supplement the well-known Yellowstone attractions with shots of unknown backcountry views. Surely the standout is a gigantic mural measuring seven feet by ten feet. And if the tremendous size of the photomural were not enough of an accomplishment, the entire thing has been hand-tinted! Through January 27 at Gallery Roach, 860 Broadway, 303-839-5202. Reviewed December 8.

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