Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Elliot Holden Group

Monday, February 20, Sancho's Broken Arrow, 1-866-464-2626.

Share

  • rss

By Nick Hutchinson

Published on February 16, 2006

While the Strat-brandishing virtuoso is something of a cliche in rock music, those who can wield a Fender with precision do possess the ability to grab our attention. Having paid his dues touring with '90s hip-hop act First Born in addition to logging fret time alongside Memphis soul crooner William Bell, Elliot Holden demonstrates the nimble-fingered dexterity to do just that. It's no wonder he's earned opening slots for Derek Trucks and the Dirty Dozen Brass Band while prompting comparisons to enshrined six-string heroes such as Jimi Hendrix and Jeff Beck. But stretched analogies aside, Holden brings his own fresh talent to the game. On his latest platter, Radiance, he moves agilely through jazz-inspired arrangements to funk-and blues-tinged fare and beyond. He even shines up a shimmering acoustic gem (the title track) and presents a pair of tunes, "Ghetto" and "Loradeath," that feature vocals punctuated, naturally, by lush guitar work. Mix in bassist Keith Jenkins and drummer Erik Hargrove from James Brown's band, and you've got an ensemble capable of moving the groove around while not losing sight of the one.