By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
As is well known, the show involves three judges -- Randy Jackson, Paula Abdul and Simon Cowell -- who recently traveled the country holding auditions to pick the top young singers around. They narrowed the field from thousands to the handful who ultimately perform on the show. Randy always says a variation of the same thing -- either that the contestants have or have not chosen the right material -- and Paula reiterates Randy's remarks while saying how much she likes the person she's judging. Finally, Simon makes rude comments that are almost always on the money. Though the show is now in its popularity-contest phase, with the public voting electronically, Randy, Paula and Simon clearly did a good job of setting the whole thing up. They created a can't-lose situation, because any choice the public makes will be good.
What's brought American Idol to mind is the way it can be used to make a point about the decision-making here in Denver related to the city's built environment. Randy, Paula and Simon may seem like fools, but they make the right calls, proving that they actually know what they're doing. On the other hand, those who have been calling the shots in Denver over the past twenty years may seem professional and competent, but they've done a bad job, proving that they don't know what they're doing.
To demonstrate the truth of what I'm saying, it would be instructive to take a walk around the greater Civic Center area and see how the architectural, aesthetic and historical equity of our Mile High City has been damaged, as well as how opportunities have been squandered over the years. This trip down memory lane has heightened importance right now, because it gives us perspective regarding the super-secret plans being cooked up for the Civic Center.
It all began in the late '80s, when Pouw & Associates prepared a survey of the Civic Center for the Denver Landmark Preservation Commission and identified all the modernist buildings as being dispensable. But on its best day, the firm wasn't up to creating any of the Civic Center buildings threatened by its survey. In fact, Pouw would later go on to architectural greatness with the design of the Safeway at Sixth Avenue and Corona Street. Still, Pouw's review led the idea types in city government to go after these old modernist buildings.
First there was the decision that the former University of Denver College of Law Center, located at the corner of West 14th Avenue and Bannock Street, needed to be destroyed. The 1960 building, which the city had purchased, was designed by the internationally famous firm of Perkins+Will. It was swank in its detailing and elegantly formal, with a recessed first floor featuring a cantilevered block above. Covering the building were light-colored metal panels punctuated by slit windows with red sandstone spandrels. In 1989, Robert Root of C. W. Fentress's office (now Fentress Bradburn) remodeled the building, and it is now the dated-looking Permit Center. This was the first fine building to be lost at the Civic Center because of the low standard of decision-making going on.
At the time the law school was destroyed, there was no awareness that modern buildings could be historic and warrant preservation. That would all change in the closing days of the 1980s, with the struggle to save Burnham Hoyt's Central Library, at Broadway and West 14th Avenue Parkway. Preservationists mounted a full-court press that was successful, to a point. The compromise involved saving the 1955 Hoyt building and appending to it a wing designed by Michael Graves.
I really like the Graves addition, but although it was a good solution to the problem, architect Robert A.M. Stern's great one was thrown out in the process. Stern's design not only preserved the Hoyt, but also proposed a wing that completely responded to it and preserved the interior of the old building. In the give-and-take of selection committees, the best concept always seems to be tossed out with the worst, leaving just the mediocre middle.
The next mistake at the Civic Center was the hit-and-run on Roland Linder's 1940s American Legion Hall. The building stood on the 1300 block of Lincoln Street, and though it had been vacant and boarded up for years, there was clearly a serious work of art underneath. The light-colored building had an arrangement of volumes, with a deeply recessed entrance tucked under a cantilevered mass. Deemed an eyesore, it was torn down in 1990 -- without even a public debate or any notice. The reason for the urgency was the fact that the new Denver Grand Prix would be racing right by the shabby structure, and city officials didn't want it to show up on television.
The DU Civic Center Classroom Building, at 1445 Cleveland Place, was another Central Library-style save. Smith, Hegner and Moore's 1940s Bauhaus-ish essay in gray limestone, better known now as Annex I, was spared demolition but had the enormous Wellington E. Webb Municipal Office Building, by David Owen Tryba, attached to it. That decision wrecked the beautiful face of the old building, with its Gropius-inspired glass-enclosed stair halls now hidden inside the new one. The Webb Building is very good in a lot of ways, but it would have been even better had it been set back from the Annex I with an allée between the two. And this isn't 20/20 hindsight: The idea of keeping the buildings separate from one another had been suggested by representatives of the Colorado Historical Society and other preservation-minded citizens.