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Recent Articles
Recent Articles by Jason Heller
A new play documents the giant-redwood controversy.
Larimer Lounge
Wednesday, May 10, Bluebird Theater, 303-322-2308.
Related Articles
Wednesday, May 10, Bluebird Theater, 303-322-2308.
Fast reviews of recent releases
The DCTC offers theater fit for the season.
The Slackers push ska forward by looking back.
Even with Jason Schwartzman, Slackers swindles its audience.
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
The Slackers
Wednesday, May 10, Bluebird Theater, 303-322-2308.
Published on May 04, 2006
Ska! Say it. Sounds funny, huh? And not just because the genre has become one of the most beloved-turned-maligned styles in history since disco. Ska, at its core, is unpretentious, buoyant and just plain goofy. But it has deep soul and jazz attached to its calypso roots, a fact that hasn't been forgotten by the Slackers. Formed fifteen years ago in New York City -- then a hotbed for retrofitted ska -- the horn-packing sextet eventually signed to Epitaph Records (and, later, Rancid's Hellcat imprint), releasing a string of discs featuring singer Glen Pines's impassioned rasp that paid homage to the traditional ska and rocksteady eras of the Skatalites and the Paragons. The group's new album, Peculiar, is yet another solid slab of Slackers that integrates '60s R&B and Bo Diddley stomp, as well as some deadly serious protest lyrics. Fads and punchlines may come and go, but the Slackers abide.