By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Colorado & the West. David Cook Fine Art in LoDo presents an annual survey of regional art that was done in the second half of the nineteenth century and the first half of the twentieth. Every year, the show turns out to be one of the best around. Then again, the finest material from this period is so wonderful that it would be difficult not to come up with a good exhibit. For this, the fifth year, the gallery acquired a large private collection that had been hidden away right here in Denver. This was supplemented by pieces from the estate of Ethel Magafan, including many of her own creations and some by her twin sister, Jenne. Both were protegés of Boardman Robinson at the Colorado Springs Fine Arts Center School. That institution and its predecessor, the Broadmoor Academy, were important to the development of art in Colorado, and Cook's has frequently focused on artists associated with these schools. Denver artists are also included, notably Vance Kirkland and William Sanderson. Through June 3 at David Cook Fine Art, 1637 Wazee Street, 303-623-8181.
Emmi Whitehorse et al. Joan Markowitz, senior curator and co-director of the Boulder Museum of Contemporary Art, has put together a trio of single-artist shows. First isEmmi Whitehorse, a solo dedicated to recent work by the nationally known New Mexico artist. Whitehorse was raised on a Navajo reservation and attended the University of New Mexico before becoming famous in New York during the 1980s. She does abstract paintings and prints that incorporate Navajo imagery and words. Whitehorse recently worked in Lyons, near Boulder, producing prints at Shark's Ink. The second show,Tracy Krumm, highlights this artist's woven-metal sculptures, which explore gender issues by juxtaposing industrial material with the domestic method. Krumm is a teacher of fiber art at the Kansas City Art Institute. The last show is Mica Chamber, a site-specific installation by Colorado artist Rebecca DiDomenico, who has used layers of thousands of mica rectangles and thousands of black-and-white photos to suggest the passage of her life. Through July 29 at the Boulder Museum of Contemporary Art, 1750 13th Street, Boulder, 303-443-2122.
From Nordenskiold to Nusbaum. This impressive photo show, on view in the Western History/Genealogy gallery of the Denver Central Library, has the five-volume title ofFrom Nordenskiold to Nusbaum: Archaeology, Photography and Tourism in the Early Years of Mesa Verde National Park. The show was jointly curated by Thomas Carr, archaeologist at the Colorado Historical Society, and Trina Purcell, curator of photography at the Denver Public Library. Carr and Purcell picked through the extensive collections of both the CHS and the DPL to select the pieces. The Nordenskiold part of the title refers to Gustaf Nordenskiold, a Swedish scientist and photographer who explored Mesa Verde in 1891; the Nusbaum part refers to Jesse Logan Nusbaum, who excavated the ruins and became the superintendent of Mesa Verde National Park in 1921. But there's more to it than photos by Nordenskiold and Nusbaum; pieces by William Henry Jackson, Thomas McKee, George Beam, Laura Gilpin and many others fill out the show. Through May 31 at the Western History/Genealogy gallery, Denver Central Library, 10 West 14th Avenue Parkway, 720-865-1821. Reviewed April 20.
James McNeill Whistler. For the first time in seventy years, there are no art shows on display at the Colorado Springs Fine Arts Center, that gorgeous New Mexi-deco-style landmark by John Gaw Meem. But that doesn't mean the place is closed down. On the contrary, while the Meem building is being expanded, the CSFAC has opened an annex in downtown Colorado Springs to keep the institution up and running and in the eye of the public. The new space has been dubbed FAC Modern and is located in the Plaza of the Rockies complex. Currently on display there is James McNeill Whistler. Whistler was one of the great artists of the nineteenth century. Born in America, he spent almost his entire career in London and Paris, where he was associated with the impressionists. Despite that connection, he wasn't one of them -- even if he did do many impressionist-style works. The pieces in this show are from the collection of Scotland's Hunterian Art Gallery and include a few small paintings, a handful of objects owned by Whistler and, for the main course, his famous etchings and other works on paper. Through August 20 at FAC Modern, 121 Tejon Street, Colorado Springs, 1-719-634-5581.