Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Decades of Influence: Colorado 1985 - Present

Carol Keller Project Space

Share

  • rss

By Michael Paglia

Published on June 29, 2006

Of the four aspects of Cydney Payton's marvelous Decades of Influence: Colorado 1985 - Present, the part on view at the Carol Keller Project Space (1513 Boulder Street, 303-298-7554) is by far the edgiest. When I first heard that the Keller spot was part of the Decades extravaganza, I naturally expected that it would be given over to photos, since CKPS is the former home of the Colorado Photographic Art Center and Keller herself operated a photo gallery for years. Instead, what's on display there is "Lure," an installation by Rebecca Vaughan that is conceptualist and post-modernist, as much about thinking as it is about seeing.

Vaughan lined the walls with small pale yellow sachets, and in front she installed small wall-mounted fans. On the back wall is a video projection of women wearing the sachets. The explanation for the piece is elaborate, intensely personal and thought-provoking. It's all about Vaughan's search for her biological mother.

Vaughan was adopted when she was only a few days old. Her adoptive mother put her in a yellow dress when she came to pick her up, and Vaughan used material from this dress to make her sachets. Inside the sachets is Vaughan's scent, harvested from her temples and under her arms. She is using the Keller space as a satellite of herself, hoping her smell, magnified by all the sachets and broadcast by the fans, will attract her mother. The video of the women documents part of her campaign to send out her scent across the country in hopes of finding her mother.

"I've tried every rational way to find her," notes Vaughan, "and she's either dead or doesn't want to meet me." And so she took on this irrational approach to the quest.

Vaughan is the head of the 3-D department at the Rocky Mountain College of Art and Design, and one reason Payton chose her to play such a large role in Decades of Influence is an acknowledgement of the school's importance in the development of cutting-edge art in the region.

Rebecca Vaughan's "Lure," at the Carol Keller Project Space, closes along with the rest of Decades on August 27.