Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • Riverfront Times

    Where's the Beef?

    Allison Burgess stakes her reputation on mystery meat.

    By Aimee Levitt

  • City Pages

    Carp Killah

    Just in time for summer, it's again safe to fish with bows and arrows in Minnesota.

    By Bradley Campbell

  • Village Voice

    The Man in Our Mirror

    A black American's eulogy to Michael Jackson.

    By Greg Tate

  • Miami New Times

    Smoking Guns

    Miami's latest vice? Black-market cigarettes.

    By Tim Elfrink

Sound Team

Movie Monster (Capitol)

Share

  • rss

By Andy Beta

Published on July 13, 2006

Originally a four-track recording project between guitarist Matt Oliver and bassist Bill Baird, Austin's Sound Team now rolls six deep. The additional membership gives the band a great deal of latitude with regard to sound and texture. Surprisingly, with a half-dozen instruments vying for space, there's not a wasted or overindulgent moment on Movie Monster, the group's major-label debut. The guitars snap and whirr on the pounding "Your Eyes Are Liars," while a battery of keyboards (Wurlitzer, Rhodes, and Moog) play various roles throughout, blowing haze over "Afterglow Years," providing buoyant counterpoints to "No More Birthdays" and heightening the resignation of the title track. The band has opened for the Arcade Fire and the Walkmen in the past, and both provide entry points into its music, which incorporates the emotional intensity of the former and the anthemic tendencies and raspy vocals of the latter. The album's highlight, though, is "TV Torso," which is easily the most exciting slice of indie rock since !!!'s "Me and Giuliani" (or the Arcade Fire's "Neighborhood #3").