Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Planes Mistaken for Stars

Mercy (Abacus)

Share

  • rss

By Dave Herrera

Published on October 12, 2006

Mercy, Planes Mistaken for Stars' sixth release in as many years and its debut on the Abacus imprint, is every bit as caustic and brooding as anything the act has ever done -- only more primal, focused and terrifyingly intense. Thanks to the stripped-down production of Matt Bayles, the serrated edge of singer/guitarist Gared O'Donnell's menacing yowl rips through the squall of guitars with a newfound clarity. Like Motörhead dosing codeine, Planes has slowed its careen into a deliberate, murderous stagger, creating a palpable sense of dread that pervades Mercy (being celebrated with a CD-release show this Tuesday, October 17, at the Marquis Theater). The band also exhibits an extraordinary sense of dynamics on tracks such as "Killed by Killers Who Kill Each Other" and "To Spit a Sparrow," which roll in like ominous storm clouds on the horizon, build into a tempest-like fury and then quietly dissipate. After never quite catching flight over the years, Mercy finds Planes poised for takeoff.