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The Real DealTake your best shot - again and again - when the Denver series debuts.Published on November 23, 2006You can't watch The Real World: Denverwithout a drink, and you shouldn't watch it without a drinking game. This one is based on the X-Files version and is guaranteed to get players a mile high. (If any player misses a turn -- and the others call him on it -- he must drink double the required amount.) Recommended booze: Coors and Jäger! Take one sip: And in the hard-core version: Take two sips: And in the hard-core version: Take three sips: And in the hard-core version: Bonus points -- drink your entire drink or do a shot: That's it! You should recover from your hangover -- and whatever hookup the alcohol inspired -- in time for next week's round. Still life: It looks like the Clyfford Still Museum could be a pretty good investment for Denver. Sure, the 30,000-square-foot facility planned for the Golden Triangle will cost somewhere between $12 million and $20 million to build, but it's all private money -- and what's a few very large bills between friends? When Mayor John Hickenlooper announced in 2004 that he'd sweet-talked Still's widow into giving Denver her late husband's estate -- some 2,150 works -- few in the city had any idea of the abstract-expressionist's importance, or even who he was. This despite the fact that Jackson Pollock (a name almost everyone recognizes) said of his contemporary that "Still makes the rest of us look academic." All most Denverites knew was that the mayor had promised a museum dedicated to the collection, at a time when the Museum of Contemporary Art was already fundraising for its new facility. But if money talks, then the people in charge of the Still deal should be shouting a very loud "I told you so" from the top of the Frederic C. Hamilton Building. Because on November 15, Christie'ssold Still's "1947-R-No. 1" for $21.3 million. The famed auction house had estimated the 69-by-65-inch oil on canvas -- part of the 15 Americans exhibit at the Museum of Modern Art in 1952 -- would bring a mere $5 million to $7 million. But the piece wound up going for more than Roy Lichtenstein's "Yellow and White Brushstrokes" ($9.5 million), Pollock's "Red and Blue" (unsold) or Andy Warhol's "Mao" ($17.4 million). That should help the Still's promoters pick some big national pockets.
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